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10 years after a global economic collapse, a hardened loner pursues the men who stole his only possession, his car. Along the way, he captures one of the thieves' brother, and the duo form an uneasy bond during the dangerous journey.
Flight 7500 departs Los Angeles International Airport bound for Tokyo. As the overnight flight makes its way over the Pacific Ocean during its ten-hour course, the passengers encounter what appears to be a supernatural force in the cabin.
Eight years after the disappearance of Cassandra, some disturbing incidents seem to indicate that she's still alive. Police, parents and Cassandra herself, will try to unravel the mystery of her disappearance.
Sam & Fordy run a credit card fraud scheme, but when they steal from the wrong man, they find themselves threatened by sadistic gangster. They need to raise £5m and pull off a daring diamond heist to clear their debt.
Nic determines the digits in the combination for his room by blowing fine cookie dust onto the keypad and seeing where it sticks. This method relies on fingers leaving skin oil on the keys pressed, but everyone except Nic is wearing hazmat suits and therefore would leave no oil behind. See more »
Pace, Pace, Mio Dio
from La Forza Del Destino
Performed by Emilie De Voght
Music by Giuseppe Verdi
Words by Francesco Maria Piave
Arranged and conducted by Dirk Brossé
Courtesy of 3AM Music Limited and by arrangement with CEG Rights B.V See more »
An impressive film school exercise but not quite a movie
"Visually arresting, methodically paced, and almost perfectly executed" says another review here. I agree and would add well-acted, produced, and directed. But it still doesn't quite make it as a movie, something with a real story that is effectively delivered and is more than the sum of its strung-together parts. Each scene is fine, but they just seem like a string of episodes rather than a coherent story. One has trouble getting the point and is left somewhat confused and unsatisfied, with the final twist more baffling than impactive. I would say that the words "inchoate" and even "incoherent" can't help but come to mind regarding the film.
Before you write me off as someone who only likes nice linear films where EVERYTHING is made perfectly clear and who can't handle anything unusual, abstract, metaphoric, or different in any way, compare "Signal" to "Dark City", the recent "Under the Skin", and even "THX 1138" (which BTW arguably has a lot of similarities to this one).
Meanwhile, for examples of films that have similar problems as "Signal", see "Citadel" (2012), "Critical Nexus" (2013), and even "Shuttle" (2008) or "Blair Witch Project". I would argue, tho', that most of these, whatever their flaws, are probably more effective at delivering a real story than "Signal". MEANWHILE, to see what a low-budget independent sci-fi movie CAN be, see "Moon" (2009).
Finally, I was just reading a review of "Signal" in which the reviewer mentions another director who started out with a middling low-budget sci-fi film and has gone on to bigger and better accomplishments; he sees similar potential in the director of "Signal". I fully agree. Again, I think "Signal" was impressive and well worth seeing, but doesn't quite make it to the level of a real and effective movie.
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