| Photos (See all 27 | slideshow) | Videos (see all 5) |
| Shaofeng Feng | ... | Chen Zhen | |
| Shawn Dou | ... | Yang Ke | |
| Ankhnyam Ragchaa | ... | Gasma (as Ankhnyam Rachaa) | |
| Yin Zhusheng | ... | Bao Shunghi | |
| Ba Sen Zha Bu | ... | Bilig (as Basen Zhabu) | |
| Baoyingexige | ... | Batu | |
| Tumenbayaer | ... | Shartseren | |
| Xilindule | ... | Petit Bayar | |
| Hai-Long Bao | ... | Lamjav |
Directed by | |||
| Jean-Jacques Annaud | |||
Writing credits | ||
| Jiang Rong | (based on the novel by) | |
| Alain Godard | (screenplay) & | |
| Jean-Jacques Annaud | (screenplay) & | |
| Lu Wei | (screenplay) & | |
| John Collee | (screenplay) | |
Produced by | |||
| Yin Cao | .... | producer | |
| Xavier Castano | .... | producer | |
| William Kong | .... | producer | |
| La Peikang | .... | producer | |
| Alan Wang | .... | producer | |
| Jianshai Xu | .... | producer | |
| Duojia Zhao | .... | producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Jean-Marie Dreujou | |||
Film Editing by | |||
| Reynald Bertrand | |||
Production Management | |||
| Yingchun Fang | .... | production manager | |
| Yang Lan | .... | post production manager | |
| Thomas Saignes | .... | executive in charge of business affairs | |
Second Unit Director or Assistant Director | |||
| Matthieu de la Mortière | .... | first assistant director | |
| Yang Lan | .... | assistant to director annaud | |
Sound Department | |||
| Guillaume Bouchateau | .... | sound editor | |
| Carlos Cervera | .... | dubbing coordinator | |
| Guillaume Couturier | .... | sound mastering engineer | |
| Raphaël Devillers | .... | sound mix technician | |
| Aymeric Devoldère | .... | sound editor | |
| Cyril Holtz | .... | sound re-recording mixer | |
| Tatjana Jakob | .... | adr editor (german version) | |
| Damien Lazzerini | .... | sound re-recording mixer (as Damien Bera) | |
| Philippe Penot | .... | foley artist | |
| Sébastien Pierre | .... | foley recordist | |
| Javier Valdés | .... | dubbing director: spanish | |
| Gang Wang | .... | sound | |
Visual Effects by | |||
| Fabian Barreto | .... | vfx coordinator: Pixomondo | |
| Benjamin Brand | .... | compositor: Pixomondo | |
| Jo-Wan Chao | .... | modeling supervisor | |
| Lele Chen | .... | cg modeler | |
| Nadine Chodan | .... | division visual effects producer: Pixomondo | |
| Andreas Clemens | .... | compositor: Pixomondo | |
| Dayne Cowan | .... | vfx supervisor: VHQ | |
| Miguel de los Ríos | .... | 3d artist: Pixomondo | |
| John Dietz | .... | Visual FX Executive Producer | |
| Nadja Ding | .... | matchmove artist: Pixomondo | |
| Tobias Dommer | .... | compositor: Pixomondo | |
| Adam Figielski | .... | division visual effects supervisor: Pixomondo | |
| Hongfei Geng | .... | digital compositor | |
| Jianquan Guo | .... | visual effects supervisor | |
| Nina Göldner | .... | division visual effects producer: Pixomondo | |
| Kathrin Günther | .... | compositor: Pixomondo | |
| Felix Haas | .... | matte painter: Pixomondo | |
| Fabian Holtz | .... | compositor: Pixomondo | |
| Nick Hsieh | .... | visual effects supervisor: Base FX | |
| Florian Jackl | .... | systems administrator: Pixomondo | |
| Benjamin Jennrich | .... | compositor: Pixomondo | |
| Na Jian | .... | visual effects production manager: Base FX | |
| Martin Jurado | .... | division matchmove supervisor: Pixomondo | |
| Hannes Krieger | .... | fx artist: Pixomondo | |
| Thomas Lautenbach | .... | compositing supervisor: Pixomondo | |
| Christophe Laya | .... | credit sequences | |
| David Lebrun | .... | visual effects supervisor | |
| Toby Lee | .... | 3d artist: Pixomondo | |
| Benoit Luce | .... | visual effects supervisor | |
| Philip Lücke | .... | compositor: Pixomondo | |
| Christoph Malessa | .... | visual effects executive producer: Pixomondo | |
| Sven Mecklenbroich | .... | compositor: Pixomondo | |
| Sebastian Meszmann | .... | division visual effects associate producer: Pixomondo | |
| Mona Mohr | .... | division vfx coordinator: Pixomondo | |
| Benjamin Nowak | .... | matte painter: Pixomondo | |
| Philip Nussbaumer | .... | compositor: Pixomondo | |
| Berry Olivier | .... | visual effects supervisor | |
| Tobias Pfeiffer | .... | division visual effects editorial - i/o: Pixomondo | |
| Nelson Quan | .... | visual effects editor: Pixomondo | |
| Christian Rajaud | .... | visual effects supervisor | |
| Philipp Röger | .... | 3d artist: Pixomondo | |
| Sabrina Steinert | .... | matchmove artist: Pixomondo | |
| Guo-Feng Tang | .... | visual effects art director: Pixomondo | |
| Michael Thalmann | .... | head of it: Pixomondo | |
| Cuiling Wang | .... | matchmove artist: Pixomondo | |
| Sascha Wolf | .... | division visual effects editorial - i/o: Pixomondo | |
| Tiffany Wu | .... | visual effects producer | |
| Siyun Yi | .... | vfx recruiter | |
Camera and Electrical Department | |||
| David Bush | .... | native stereographer | |
| Hao Wang | .... | cinematographer | |
| Hao Wang | .... | gaffer | |
Editorial Department | |||
| Géraldine Gues | .... | post production supervisor | |
| Mathieu Liron | .... | digital lab operator | |
Music Department | |||
| Dick Bernstein | .... | music editor | |
| Mark Berrow | .... | musician: violin | |
| Thomas Bowes | .... | orchestral leader | |
| Fiona Cruickshank | .... | score recordist | |
| Simon Franglen | .... | arranged by | |
| Simon Franglen | .... | score producer | |
| Isobel Griffiths | .... | orchestral contractor | |
| James Horner | .... | musical director | |
| Steve Mair | .... | musician: double bass | |
| Dorina Markoff-McNulty | .... | musician | |
| J.A.C. Redford | .... | orchestrator | |
| Simon Rhodes | .... | music arranger | |
| Simon Rhodes | .... | score mixer | |
| Robert Ziegler | .... | conductor | |
Other crew | |||
| Aurélie Laffite | .... | assistant producer | |
| Yang Lan | .... | producer assistant | |
| Fernando Lueches | .... | marketing: spanish version | |
| Michael W. Miliotti | .... | animal trainer: wolves/dogs | |
| Andrew Simpson | .... | wolf sequence coordinator | |
| Sally Jo Sousa | .... | head wolf trainer | |
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| Please Prepare Me | jessieyoskin |
| animal cruelty | itomasoni |
| My 2 Cents | aphrodisiaciix |
| Have you noticed the music... | jv-181-346883 |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb China section |
I know the name of Jean-Jacques Annaud from The Bear, a movie that made his name a lot more memorable to me than The Name of the Rose, another movie I loved and that he directed. In The Bear, the main character was a little bear cub and any humans in the film were mere secondary characters. The things that film did with animals was nothing short of miraculous.
In this Chinese-French coproduction, there are a lot of wolves and talk about wolves and people getting angry about wolves or loving them, but they are not the main characters. Relegated to the subject of a conversation, wolves play a minor part in this film that doesn't seem to know what it wants to be. It shows a little bit of Chinese Cultural Revolution, but not enough to be of any relevance or warrant the wrath of Chinese authorities. It shows the free way of the Mongols living in the steppes, but it doesn't go in depth. It shows some beautiful wolves, but most of the time they just look pretty and don't do much. It shows men in love with women, but it never goes into romance territory. It shows city boys being schooled in the ways of the steppe, but it doesn't really make anything of it.
The acting was good and so was the direction, I guess. The wide views of the green steppe were beautiful (until the mosquitoes arrived). Yet most of the time is seemed like a fairy tale, lacking a truth that I am not aware of, but that felt like it should be different.
It is not that I didn't like the film, but after two hours of going back and forth between genres, alternating between hating the Communist director who doesn't understand the life of the land and hating just about everybody else for their pretentious stupidity, I was actually bored.