Majime, an eccentric man in publishing company, who has unique ability of words, joins the team that will compile a new dictionary, 'The Great Passage.' In the eclectic team, he becomes ... See full summary »
After failing his university entrance examinations and being left by his girlfriend, Yuki Hirano decides to join a forestry training program only to discover that the job is much harder ... See full summary »
A woman looks back on her family's life in Tokyo before and during WWII. A maid arrives from the countryside to work for an upper middle class family. She fits in well, but everyone's emotions are stirred up with the arrival of a student.
Tamako graduated from a university in Tokyo, but she now lives with her father back in Kofu. Tamako doesn't help her father or tries to get a job. She spends her time just eating and sleeping throughout the four seasons of the year.
A mellow drama following the moral decline of a housewife turned bank employee who embezzles a fortune from her customers and indulges in an affair with a younger man. Set in 1994, shortly after the burst of Japan's economic bubble.
In "A Gentle Breeze in the Village," Soyo Migata (Kaho) is a quirky 8th grade student who resides in a tiny rural village somewhere in Japan. The village is small enough where there's only ... See full summary »
A husband (Isao Hashizume) and wife (Kazuko Yoshiyuki) have been married for 50 years. For her birthday, the husband asks the wife what she wants for her birthday present. She replies that ... See full summary »
1918 -1942 , A Time Period passed . Vancouver Canada , a Japanese Community and the struggles and triumphs they faced , and the Spirit of a Baseball Team that won over many, and overcame ... See full summary »
Viewed at CineMatsuri 2015. Japan Academy Award winning Director Yuya Ishii disappoints with a film that is contrived, circular, and boring. It lacks chemistry between on-screen characters and character resonance with the viewer. The story essentially ends up were it began (a modern Japanese family facing typical semi-irresolvable issues). Then there is the hard-to-swallow plot device using an initial medical diagnosis of brain cancer with a life expectancy of one week (!) for the mother (who is fully mobile, depressed, and has occasional memory lapses). The Director shamelessly milks this initial medical diagnosis for all it is worth including extensive padding with many slow and boring "character-building" scenes. There is much telegraphing to minimize surprises (unrepaired car body damage = family financial strife; MD saying future tests are needed to possibly revise the initial diagnosis = contrived Hollywood happy ending; etc.). The mother is played by veteran actress, Mieko Harada, who delivers the best (but disconnected) lines in the script--sort of like a stand-up comedian (but, this time, sitting/lying down)! That said, Director Ishii seems to be making some medical reality statements including: (1) if you are seriously sick, the nearest physician and hospital may not be the best ones; (2) your family needs to rapidly get smart on your disease and its treatment; (3) always get many second opinions; and (4) the medial safety net in Japan is essentially nonexistent. (If you live in the USA, bet all/most of this is familiar, unfortunately.) Back acting (where line delivery is photographed from behind or the side) is used during the final scene. Cinematography (1.78 aspect ratio, color), lighting, and set decoration are okay. Sound production is fine. Music is undistinguished. Subtitles are close enough to line readings, but only above-the-line names are translated in the credits (which seems to be an insult--perhaps not intended--to the many others who contributed to the making of this film). There was no audience applause after the film ended. Dead silence. WILLIAM FLANIGAN, PhD.
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