Big-city lawyer Hank Palmer returns to his childhood home where his father, the town's judge, is suspected of murder. Hank sets out to discover the truth and, along the way, reconnects with his estranged family.
Robert Downey Jr.,
When his job along with that of his co-worker are threatened, Walter takes action in the real world embarking on a global journey that turns into an adventure more extraordinary than anything he could have ever imagined.
Adam Jones (Bradley Cooper) is a chef who destroyed his career with drugs and diva behavior. He cleans up and returns to London, determined to redeem himself by spearheading a top restaurant that can gain three Michelin stars.
Two salesmen whose careers have been torpedoed by the digital age find their way into a coveted internship at Google, where they must compete with a group of young, tech-savvy geniuses for a shot at employment.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Carl Casper is an acclaimed chef with a family life that seems as decaying as his artistic freedom. Those frustrations boil over into a raucous viral-videoed public confrontation against a restaurant critic who panned his cooking of food that his boss ordered him to make against his instincts. Now with his career ruined, Carl's ex-wife offers an unorthodox solution in Miami: refit an old food truck to offer quality cooking on his own terms. Now with his young son, Percy, and old colleague, Martin, helping, Carl takes a working trip across America with that truck to rediscover his gastronomic passion. With Percy's tech savvy and Martin's enthusiasm, Carl finds that he is creating a traveling sensation on the way home. In doing so, Carl discovers he is serving up more than simply food, but also a deeper connection with his life and his family that is truly delicious in its own way. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Roy Choi only agreed to train Jon Favreau to cook if Favreau promised to be absolutely authentic in his portrayal of a professional chef, from the way that his character Carl folds the towels at the beginning of the film to the way in which he cleans his station. Choi also put Favreau to work in several of his kitchens doing repetitive, menial tasks such as picking parsley. This training was designed to keep Favreau focused on the smallest of details and to serve as a method acting exercise in order to understand the mindset of a professional chef who must be persistently detail-focused in a pressurized environment which requires repetitive tasks. See more »
When Percy creates Carl's Twitter account they settle on the name @ChefCarlCasper. Yet Carl's very first tweet, which he thought was a private message to Ramsey Michel, was shown to have been posted by @CasperCarl. For the remainder of the movie his Tweets correctly identified him as @ChefCarlCasper. See more »
What are you doing?
Dude, I'm putting a little cornstarch on my huevos, man. It's a little too humid down here.
Dad, wake up. Martin's putting cornstarch on his balls.
Want some? It's like baby powder. It's nice, right?
See more »
Near the end of the credits, there is a brief scene of chef Roi Choi teaching Jon Favreau how to make the perfect grilled cheese sandwich. See more »
Stepping away from the blockbusters that have occupied his time and talents of late, Jon Favreau scales back the spectacle to deliver Chef, a thoroughly enjoyable story of redemption set amid the chaos and camaraderie of the kitchen in which Favreau delivers what may be his best performance yet. In addition to taking on the lead role of disgruntled chef Carl Casper, Favreau also wrote the screenplay and served as producer and director, putting himself firmly in the firing line if the film misfired. Fortunately, he has got most of it right and Chef overcomes any shortcomings through its refreshing take on relationships - particularly between Carl and his 10-year-old son Percy (Emjay Anthony) - and the power of technology and social media as both a destructive force and an instrument of considerable social currency. Confined to bit parts of late in the likes of The Wolf of Wall Street and the three Iron Man films, Favreau seems to relish the opportunity to take on this role of a man forced to re-evaluate everything that is important to him.
We first meet Carl as he begins preparations for the evening ahead at the restaurant at which he is the head chef. Once hailed as the next big thing in culinary circles, Carl's career and reputation has stagnated somewhat as he finds himself frustrated by the limitations placed on him by restaurant owner Riva (Dustin Hoffman). You see, Riva is more interested in maximising profit, while Carl is desperate to shake things up and broaden the menu, particularly with high profile critic Ramsey Michel (Oliver Platt) dropping in to sample the fare. It is not giving too much away to say that things don't go well and, when Carl unleashes at Michel in a tirade that goes viral, his tenure at the restaurant is over. At the urging of his ex-wife Inez (Sofia Vergara), Carl heads to Miami and establishes a food truck that enables him to reconnect with his love of cooking and the son he has neglected. Much merriment ensues as Carl hits the road to redemption with Percy and best friend Martin (John Leguizamo) along for the ride.
The film very much celebrates the art of cooking and gastronomes will go nuts at the myriad montages of Carl at work in the kitchen, whether it be in the restaurant, the food truck or at home where even a toasted sandwich is prepared with passion and precision. The relationship between Carl and Percy, which is the crux of the narrative with the food truck as the conduit that brings them together, is refreshingly realistic and devoid of mawkish sentimentality. Young Graham is remarkably composed and naturalistic as Percy and the underrated Leguizamo makes the most of his best role in ages. The music is fabulously funky, creating the up-tempo mood that permeates the second half of the film. There really is a lot to like here, which makes it easy enough to overlook those aspects that go unexplained. For example, Inez lives in a luxurious house with an armada of domestic staff and is always making reference to her work, yet we never get any sense of what this work entails and ultimately Vergara seems to be simply rehashing her Modern Family persona, albeit not quite so shrill.
The sudden disappearance of Scarlett Johansson from the narrative is another mystery that remains unsolved. In the opening portion of the film, Johansson's Molly works as a hostess at the restaurant and there is clearly a mutual attraction between her and Carl. In fact, a scene in which Molly lounges seductively while Carl prepares a meal is sexier than most love scenes, yet once Carl leaves for Miami, Molly is neither seen nor heard from again. A cynic might suggest that Johansson's inclusion, along with a somewhat strange cameo from Robert Downey Jnr as another of Inez's ex-husbands, is simply Favreau calling upon his Iron Man co-stars in an attempt to secure maximum leverage for his film with multiplex audiences.
The film demonstrates the power of ubiquitous presence and power of social media; initially bringing Carl to his knees before ultimately playing a very significant role in his resurrection as a chef and a father. Despite a few unanswered questions along the way, Chef is a charming, refreshing surprise.
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