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Sarah Silverman: We Are Miracles (2013)

Prepare for an evening of riotously shocking material as sharp-witted stand-up superstar Sarah Silverman steps up for her first HBO solo special.

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Won 1 Primetime Emmy. Another 2 nominations. See more awards »
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voice of Steve Agee (voice)
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Prepare for an evening of riotously shocking material as sharp-witted stand-up superstar Sarah Silverman steps up for her first HBO solo special. Performing in front of an intimate audience of just 39 fans at L.A.'s Largo nightclub, Silverman takes aim at such subjects as cell-phone porn, crazy religions, specialty deodorants, terrible roommates, eyebrow waxing, her 19-year-old dog, Barack Obama and Republicans, having babies, Pixar movies, the miracle of existence, and much more. Written by Anonymous

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23 November 2013 (USA)  »

Also Known As:

Sarah Silverman: Csodák vagyunk  »

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Did You Know?

Connections

Referenced in Saturday Night Live: Sarah Silverman/Maroon 5 (2014) See more »

Soundtracks

Diva for Piano
Written by Sarah Silverman
Arranged and performed by Adam Berry
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HK Auteur Review - Sarah Silverman: We Are Miracles
20 December 2013 | by (Hong Kong) – See all my reviews

Sarah Silverman is a comedian that's always been around, but an artist I never directly got into by chance. I watched a few episodes of The Sarah Silverman Program, which was too obscure for my taste. But I always enjoyed her cameo in Judd Apatow's Funny People, Louie and thought she gave an effective supporting performance in Sarah Polley's Take This Waltz. I enjoyed clips of her standup online, but have not seen her perform a complete comedy hour till now.

The decision to shoot the special at the Largo Comedy Club in front of 39 people is a great one. Silverman never looks far off into the distance or above to a balcony booth. There's no big giant TV screen of her in the background for the cheap seats. The intimacy of the Largo lends itself for Silverman's raunchy off-the-wall random tangent comedy, giving her much more freedom to roam from topic to topic without transitions. "I don't need segue ways." Silverman quips, "The brain doesn't work that way."

Some of the joke highlights were a childhood story of how her older sister used to scare her, sin atonement in Christianity and a bit about the Make A Wish foundation. It's nice how much politically incorrect jokes she gets away with, showing an affable innocent girly persona can really go a long way to make hard topics durable.

The whole experience is more akin to a live show, as Silverman is able to milk laughs from silences and even counter critique audience reactions when they aren't up to par. It's always awkward when comedians do audience interaction in big theater shows and this completely fixes that. The reactions from the 39 people create a more potent, immersive connection to Silverman's perspective. And making 39 people laugh, after all, is much harder than making 200 people laugh.


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