Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
A story that follows as a New York woman (who doesn't really have an apartment) apprentices for a dance company (though she's not really a dancer) and throws herself headlong into her dreams, even as their possibility dwindles.
Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a mess of thrashed relationships and exposed family secrets.
Jennifer Jason Leigh,
After college graduation, Grover's girlfriend Jane tells him she's moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all... See full summary »
Tracy, a lonely college freshman in New York, is rescued from her solitude by her soon-to-be stepsister Brooke, an adventurous gal about town who entangles her in alluringly mad schemes. Mistress America is a comedy about dream-chasing, score-settling, makeshift families, and cat-stealing.
Noah Baumbach and Greta Gerwig compared the film to John Hughes' films. See more »
There is a scene that Tracy is walking on campus with lighted trees on the background. It is actually on the College Walk of Columbia University. And those trees will not be decorated with lights until mid December for the Christmas. But the story happens before Thanksgiving. See more »
It was clear that the thing that Meadow wanted most in the world, the thing that she wanted to define her, to give her a place to put her time and talents, her everything, the restaurant, it was clear that it will never happen. The most surprising thing was that Meadow was actually surprised by it. She could see the world with painful accuracy, but she couldn't see herself or her fate. And because I was in love with her I decided I couldn't see it either.
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I'm a big Noah Baumbach fan. He is completely able to come up with clever, simple, original ideas and make a usually great movie out of them; but to my dismay, Baumbach's "Mistress America" is a bit of a miss.
The story was very nice, but the writing's cheap/obvious execution ruins it. There is a famous saying that originates from Anton Chekhov that is commonly used in film schools: "show don't tell." This picture breaks that simple saying in almost all of its lines, as characters will just randomly blurt out how they feel - all while keeping a neutral look on their face.
Baumbach has also made a living out of his quick wit and intellectual humor, but unfortunately in "Mistress America," he decided to throw intellect out the window.
There are a few redeeming factors: its Woody Allen-esque use of camera-work, fitting choice of music, and easy to like characters.
Though it doesn't live up to his previous films, "Mistress America" should be watched by Baumbach fans. If you don't like him, you won't like this; and if you haven't seen his other work, I recommend you watch that instead.
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