New York police officer Ralph Sarchie investigates a series of crimes. He joins forces with an unconventional priest, schooled in the rites of exorcism, to combat the possessions that are terrorizing their city.
Searching for a missing student, two private investigators break into his house and find collection of VHS tapes. Viewing the horrific contents of each cassette, they realize there may be dark motives behind the student's disappearance.
An investigation into a government cover-up leads to a network of abandoned train tunnels deep beneath the heart of Sydney. As a journalist and her crew hunt for the story it quickly becomes clear the story is hunting them.
Miles of twisting catacombs lie beneath the streets of Paris, the eternal home to countless souls. When a team of explorers ventures into the uncharted maze of bones, they uncover the dark secret that lies within this city of the dead. A journey into madness and terror, As Above, So Below reaches deep into the human psyche to reveal the personal demons that come back to haunt us all. Written by
This was the first ever production that secured permission from the French government to film in the catacombs. The film utilizes a set of narrow, winding tunnels of the Paris catacombs, complete with real mint skeletons creepily arranged centuries ago. See more »
The characters dived into water several times, yet many scenes after their dive into the water show their head hair completely dry when they should be wet. See more »
When was the last critically acclaimed horror movie released? You'd be hard-pressed to find anything since The Ring in 2002.
I haven't seen The Conjuring, Mama or Oculus but people say they've got potential. I thought Drag Me to Hell was pretty good from 2009.
But the last great one I caught in theaters was Devil from 2010.
Which is also directed by John Dowdle. He wrote Quarantine (2008), as well another solid semi- recent horror.
As Above/So Below is the best horror movie I've seen in a long time.
First of all, it's shot on-location in Paris, which is a delight for any fan of that city. Favorite sights like Notre Dame and Sacre-Coeur are featured throughout.
The filmmakers use almost every shooting style. AA/SB is a mockumentary about Scarlett (played by Perdita Weeks) a young archaeologist searching for the philosopher's stone. Therefore much of the footage is first-person, shot via headlamp GoPro cams.
Although I'm sick of 'found footage' it works better here. For obvious reasons, the budget can't be massive, so this filmmaking style is particularly suited to horror.
The story is also good, co-written by the director and his brother, Drew.
There's more nuance than usual. The main characters use deductive reasoning and historical analysis in order to solve riddles and navigate the labyrinthine catacombs.
There's a lot of rebirth imagery, but I wonder just how far the metaphor goes. Are the ribbed tunnels supposed to be reminiscent of a vaginal lining?
Dichotomies drawn between light and dark, and up and down, are intriguing and thought provoking.
The cast of unknowns delivers strong performances. It's tough to get through a whole scary movie without poor acting or cheesy moments.
Apparently I'm in the minority because AA/SB is getting 13% amongst top critics and 57% amongst the users on Rotten Tomatoes.
But I would encourage an open mind, because it's a cut above the rest.
If you're looking for a decent flick this weekend, especially if you dig horror, you can do a lot worse than As Above/So Below.
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