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Little pocket thief Wu never got away from the streets like his friends did. He realises that he is alone, as his old buddy doesn't invite him for his wedding. When he falls in love with a ... See full summary »
Ryota Nonomiya is a successful businessman driven by money. When he learns that his biological son was switched with another child after birth, he must make a life-changing decision and choose his true son or the boy he raised as his own.
Two Chinese coal miners have hit upon the perfect scam: murder one of their fellow mine workers, make the death look like an accident, and extort money from the boss to keep the incident ... See full summary »
Although highly praised by media, this film by Chinese director Jia Zhangke is predictable and does not offer anything new.
Nobody can deny that like all economic systems, "Capitalism" too is condemned time and again by filmmakers. What is important to note is that "A Touch of Sin" is the first serious attempt by a Chinese director to berate capitalism which is causing irreparable damages to Chinese nation especially to its ordinary population which is unable to figure out how to deal with money and its implications on a person's life. In all frankness, calling "A Touch of Sin" a feature-film would be a travesty of cinema as it is merely a well stitched collection of four different short films about ordinary people in China who have succumbed to pressures. Although it has been highly praised by media all over the world,this new film by Chinese director Jia Zhangke is utterly predictable and does not offer anything new. One wonders on what grounds was it selected for best screenplay prize at Cannes Film Festival 2013 ? When one leaves an independent form of filmmaking for more commercial style of filmmaking, weaknesses in the film are clearly evident. For example-There is an exaggerated scene involving a business man with a wad of currency notes who continually pummels a woman to prove his point that capitalism has not left any scope for human feelings.This scene could have used less violence but Jia Zhangke chose to dramatize it to such an extent that it became almost unbearable to watch.Lastly,this film is replete with numerous scenes of this type where "too much" is done in the name of sophistication at a time when "too little" could also have easily eased things for the film,the director and the viewers.
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