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A Touch of Sin (2013)
"Tian zhu ding" (original title)

7.2
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Ratings: 7.2/10 from 3,483 users   Metascore: 77/100
Reviews: 12 user | 127 critic | 24 from Metacritic.com

Four independent stories set in modern China about random acts of violence.

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Title: A Touch of Sin (2013)

A Touch of Sin (2013) on IMDb 7.2/10

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Cast

Credited cast:
Wu Jiang ...
Dahai
Lanshan Luo ...
Xiao Hui
Li Meng ...
(as Vivien Li)
...
Zhou San
Jia-yi Zhang
...
Xiao Yu
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Storyline

Four independent stories set in modern China about random acts of violence.

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Genres:

Drama

Certificate:

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Details

Official Sites:

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Release Date:

11 December 2013 (France)  »

Also Known As:

A Touch of Sin  »

Filming Locations:

 »

Box Office

Opening Weekend:

$1,514 (USA) (8 November 2013)

Gross:

$91,714 (USA) (22 November 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Zhangke Jia:  in the third story as a patron of the brothel. He is shown walking down a hallway from behind talking on his cell phone and smoking a cigar. At the end of the shot he turns to survey the line of girls in the hallway. See more »

Connections

Featured in At the Movies: Episode #10.23 (2013) See more »

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User Reviews

 
Great directing, but plot intentions fails with the 4 short story structure
11 December 2013 | by (Portugal) – See all my reviews

A Touch of Sin by Chinese director Jia Zhang-Ke tells 4 independent stories that culminate in some act of violence in modern China. It feels that the movie's intention is to portrait the reality of a generation that feels confused and out of place on a new reality that clashes modern capitalism with former communism. We understand that, however its hard to accept this is successfully achieved on the movie. Those elements are introduced yes, but... they feel like an excuse for what will predictably come next. The movie is greatly directed: that is its main strength and its worth watching for that, but the structure of 4 independent stories doesn't allow an emotional connection with the viewer, and the violence ends up being predictable and sometimes silly. This would have worked well as 4 separated short movies independently. That would have been powerful. Unfortunately, the theme that connects them is not sufficient to justify the movie as a whole, which is odd since this was the winner for best screenplay on Cannes. This asked for more depth and a more cohesive plot. At the end, the social meaning isn't but a cloud hanging over 4 good short stories that are technically wonderful but fail to go beyond its intentions of being a relevant portrait of China's modern society. Visit thefadingcam blog on blogspot for this and other reviews! Also like us on facebook to follow all our reviews!


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