Live from Lincoln Center: Season 38, Episode 5

'Carousel' with the New York Philharmonic (26 Apr. 2013)

TV Episode  |   |  Music, Musical
8.5
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Ratings: 8.5/10 from 42 users  
Reviews: 2 user

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Title: 'Carousel' with the New York Philharmonic (26 Apr 2013)

'Carousel' with the New York Philharmonic (26 Apr 2013) on IMDb 8.5/10

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Cast

Episode credited cast:
Nathan Gunn ...
...
Rest of cast listed alphabetically:
Adam Alexander ...
Ensemble
Glenn Seven Allen ...
Ensemble
Kate Bass ...
Ensemble
Joseph Beutel ...
Ensemble
Ward Billeisen ...
Ensemble
Stephanie Blythe ...
...
Cree Carrico ...
Ensemble
...
Daniel T. Curran ...
Ensemble
Jason Danieley ...
Nicholas Davila ...
Ensemble
Christine DiGiallonardo ...
Ensemble
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Music | Musical

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26 April 2013 (USA)  »

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Did You Know?

Quotes

Jigger Craigin: [picks Carrie up over his shoulder] This how firemen carry people.
Carrie Pipperidge: Is it?
Jigger Craigin: See how helpless you can make a fella if he gets fresh with you?
Carrie Pipperidge: Mr. Craig...
[sees Enoch]
Carrie Pipperidge: hello, Enoch! This is the way firemen carry people.
Mr. Enoch Snow: Where's the fire?
Carrie Pipperidge: He was just showing me how to defend myself.
Mr. Enoch Snow: It didn't look like you'd learned very much by the time I came!
See more »

Connections

Version of Grande Teatro Tupi: Lilion, o Malandro (1952) See more »

Soundtracks

You're A Queer One, Julie Jordan
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Sung by Jessie Mueller and Kelli O'Hara
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User Reviews

Glorious
26 April 2013 | by (new york city) – See all my reviews

Of all the greatest Broadway musicals, only Carousel gets me every single time, this more so than ever before: It literally drenched me in tears from start to finish. Blythe stands the tallest, and her anthem at the end tore me in twain.. Even though it has been honed down to its essential skeletal structure, the lyrics still succeed in moving one to tears. More than any other semi-staged concert version of a musical, the direction here was so on the mark that the authentic acting permitted one to identify readily with the main characters. The overarching Christ story of sin, contrition, forgiveness and redemption contribute to the tale, which is really an opera. The full glorious orchestration playing this exquisite score, supplemented by a perfect cast with matching voices are sublime. The touching ballet sequence at the end was thrilling, far better than in any other version I have seen. Bravo all round.


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