This is a short film which is a prequel to Fast and Furious involving the fugitive ex-convict Dom assembling his crew in the Dominican Republic to plan a hijacking of a road train gasoline tanker truck.
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's Mightiest Heroes to stop the villainous Ultron from enacting his terrible plans.
Robert Downey Jr.,
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Dominic and his crew thought they'd left the criminal mercenary life behind. They'd defeated international terrorist Owen Shaw and went their separate ways. But now, Shaw's brother, Deckard Shaw, is out killing the crew one by one for revenge. Worse, a Somalian terrorist called Jakarde and a shady government official called "Mr. Nobody" are both competing to steal a computer terrorism program called "God's Eye," that can turn any technological device into a weapon. Torretto must reconvene with his team to stop Shaw and retrieve the God's Eye program while caught in a power struggle between the terrorist and the United States government.
Brian's (Paul Walker) son is seen playing with a toy car. This is based on the Nissan GTR, the same car Brian is known for driving throughout the franchise. See more »
When Elena is describing Hobbs's injuries to Dominic she tells him Hobbs broke his leg in 2 places and later we see him in bed with a full leg cast. But when he decides he has to swing into action, no cast and he doesn't even walk with a limp. See more »
[Toretto gets out of his car, pointing a shotgun at Shaw]
You thought this was gonna be a street fight?
[Points shotgun upwards and fires before putting it away]
You're goddamn right it is.
See more »
Before the credits, there is a title card that reads, "For Paul", dedicating the film to deceased star Paul Walker. See more »
Written by Steve Aoki (as Steven Aoki), Kid Ink (as Brian Collins), Aid Vllasaliu, Chris Lake (as Christopher Lake), Erin Beck, Jenson Vaughan, Whitney Phillips
Performed by Steve Aoki, Chris Lake and Tujamo feat. Kid Ink
Courtesy of Ultra Records
Kid Ink appears courtesy of Tha Alumni Music Group/88 Classic/RCA Records
By arrangement with Sony Music Licensing See more »
The films belonging to The Fast and the Furious saga have been increasing the ambition of the stunts and action scenes with every new sequel, while the screenplays have been getting more tangled and apparatus in order to guarantee the numerous cast to have enough moments of individual showcasing. Furious 7 isn't the exception, and I found it very entertaining, while it elevated the level of drama and motoring stunts beyond any reason or logic... which is exactly what we expect in a film from this franchise. Besides, the sad death of actor Paul Walker's brings a gravity to the story which the screenplay could have never generated by itself. I think that, until now, I could found the validity in the wordiness about "family", which has been repeated many times by Vin Diesel in the films of this saga (I counted at least four instances in Furious 7). I wish that this new emotional weight hadn't been due to such tragic reasons, but it undoubtedly influenced my perception of the film. Anyway... what people want to see are the action scenes, and Furious 7 completely fulfills the expectations in that regard, with a series of outlandish stunts which are totally improbable but very entertaining. Screenwriter Chris Morgan found an appropriate balance between action and story, and director James Wan made a fluid and dynamic work. Editorial comment: the quantity and complexity of the stunts displayed in Furious 7 are making some people talk about the possibility of introducing a special category for stunt doubles at the Oscars; and I think that's an excellent idea. There's undoubtedly digital manipulation in those scenes (erasing of cables, face replacement, general retouch), but there's still an extraordinary mechanic, pyrotechnic and logistical talent involved in the shooting of those scenes, something which would deserve a formal recognition by the Oscars. There are currently two categories dedicated to the technicians who mix the audio of car crashes... and none to the drivers who risked their lives? Ridiculous. End of the editorial comment. The veteran actors of the saga do their usual stuff in Furious 7, as it can be supposed. As for the additions of the cast, Jason Statham makes a perfect work as one of the villains, but the great Djimon Hounsou is completely wasted as the terrorist who wants to steal a magical application of digital espionage. Kurt Russell brings an appropriate style and personality to his character. And the female fight scene between Michelle Rodriguez and Ronda Rousey is inferior to the similar ones in which Gina Carano was involved in the previous film. I don't know whether this saga is going to continue without Walker; it probably will, considering the huge quantities of money these films generate. My favorite movie from this franchise keeps being the fifth one (Fast Five), but I can recommend Furious 7 as a very competent action film, and as a solid tribute/final chapter in case they decide to stop here.
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