A new theme park is built on the original site of Jurassic Park. Everything is going well until the park's newest attraction--a genetically modified giant stealth killing machine--escapes containment and goes on a killing spree.
Bryce Dallas Howard,
Dominic and his crew thought they'd left the criminal mercenary life behind. They'd defeated international terrorist Owen Shaw and went their separate ways. But now, Shaw's brother, Deckard Shaw, is out killing the crew one by one for revenge. Worse, a Somalian terrorist called Jakarde and a shady government official called "Mr. Nobody" are both competing to steal a computer terrorism program called "God's Eye," that can turn any technological device into a weapon. Torretto must reconvene with his team to stop Shaw and retrieve the God's Eye program while caught in a power struggle between the terrorist and the United States government.
Deckard Shaw is much more tight-lipped than his brother. Jason Statham has a total of seventeen lines in the entire film. Most of them are one-liners and occur in the first half of the movie. He has a couple of lines of dialogue when he first meets Hobbs and Dom separately. He then has a one-word line when he ambushes the group during their rescue of Ramsey. He does not say a word when he confronts the group in Abu Dhabi, and remains silent during his climactic battle with Dom on the parking structure. See more »
When Dom is shown in his car after falling from the cargo plane, his necklace is shown dangling forward off his chest. This reveals that he is in fact suspended in a rig with gravity acting on him. If he were free falling in a car, he would in theory be traveling at terminal velocity, and therefore weightless inside the car and the necklace would be floating rather than clearly ranging forward under the pull of gravity. See more »
[Picks up phone]
Brian, are you okay?
Mia, listen to me. Something's about to go down. And if you don't hear from me in 24 hours, I need you to take Jack and move on. You understand? You understand what I'm saying?
Look, I can't do that Brian. I can't. We're going to have another baby. It's a little girl.
[laughs of happiness]
And she's going to need her father so you have to finish what you're doing and you have to come home to her. You have to come home to us. I'm sorry I didn't tell you before...
[...] See more »
Before the credits, there is a title card that reads, "For Paul", dedicating the film to deceased star Paul Walker. See more »
The films belonging to The Fast and the Furious saga have been increasing the ambition of the stunts and action scenes with every new sequel, while the screenplays have been getting more tangled and apparatus in order to guarantee the numerous cast to have enough moments of individual showcasing. Furious 7 isn't the exception, and I found it very entertaining, while it elevated the level of drama and motoring stunts beyond any reason or logic... which is exactly what we expect in a film from this franchise. Besides, the sad death of actor Paul Walker's brings a gravity to the story which the screenplay could have never generated by itself. I think that, until now, I could found the validity in the wordiness about "family", which has been repeated many times by Vin Diesel in the films of this saga (I counted at least four instances in Furious 7). I wish that this new emotional weight hadn't been due to such tragic reasons, but it undoubtedly influenced my perception of the film. Anyway... what people want to see are the action scenes, and Furious 7 completely fulfills the expectations in that regard, with a series of outlandish stunts which are totally improbable but very entertaining. Screenwriter Chris Morgan found an appropriate balance between action and story, and director James Wan made a fluid and dynamic work. Editorial comment: the quantity and complexity of the stunts displayed in Furious 7 are making some people talk about the possibility of introducing a special category for stunt doubles at the Oscars; and I think that's an excellent idea. There's undoubtedly digital manipulation in those scenes (erasing of cables, face replacement, general retouch), but there's still an extraordinary mechanic talent, pyrotechnic and logistical talent involved in the shooting of those scenes, something which would deserve a formal recognition by the Oscars. There are currently two categories dedicated to the technicians who mix the audio of car crashes... and none to the drivers who risked their lives? Ridiculous. End of the editorial comment. The veteran actors of the saga do their usual stuff in Furious 7, as it can be supposed. As for the additions of the cast, Jason Statham makes a perfect work as one of the villains, but the great Djimon Hounsou is completely wasted as the terrorist who wants to steal a magic application of digital espionage. Kurt Russell brings an appropriate style and personality to his character. And the female fight scene between Michelle Rodriguez and Ronda Rousey is inferior to the similar ones in which Gina Carano was involved in the previous film. I don't know whether this saga is going to continue without Walker; it probably will, considering the huge quantities of money these films generate. My favorite movie from this franchise keeps being the fifth one (Fast Five), but I can recommend Furious 7 as a very competent action film, and as a solid tribute/final chapter in case they decide to stop here.
93 of 119 people found this review helpful.
Was this review helpful to you?