That day after every day deals with eve teasing , an extremely relevant and sensitive social cause that has been disturbing all of us for quite some time now. The film revolves around three... See full summary »
4 friends (Luke, Murgi, Joy and Pondy) wasted by youth and self destruction play together in a band along with a fifth female member (Shiuli). Luke the lead singer and self-imposed leader ... See full summary »
Kay Kay Menon,
After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
This is the second time the stars Aamir Khan and Shah Rukh Khan share screen space (towards the song at the end of the movie) after Pehla Nasha (1993)in which they cameoed together for a scene. See more »
In the Murabba story, when Vineet Kumar(Vijay) is talking to the Omelette guy, his lips move for a full sentence but only half of the sentence is audible in the vocal playback. See more »
Bombay Talkies is something definitely in the elite standards to come out of the Bollywood of today
A conglomerate of four individually directed stories rolled into one , Bombay Talkies exhibits a sharp deviation from the typical mainstream and commercial Bollywood of today.
Getting into the very first one , a 25 minute unusually bold attempt on homosexuality and the subsequent tantrums that follow, is undoubtedly and ironically enough , Karan Johar's best individual direction till date. A 8.5/10 for me.
The second one was an absolute stunner of a direction from Dibakar Banerjee with its very poignancy being augmented by an impeccably brilliant acting from one man Nawazuddin Siddiqui at his versatile best. A straight 9.5/10 for me, if not more.
The reel rolls onto the next half and here we have the third and what we have is a brave, mature, rich-in-content subject with a diluted direction from Zoya Akhtar. With the kind of subject it was, Zoya Akhtar could have made it look equipotent but no, it was not to be. Some unnecessary bits did actually mar the value of the subject. Expected more from an otherwise good direction from Zoya. This one bags a 7.5/10 for me.
Just when you have got that feeling that it was gradually loosing out on the steam, the mastery of Anurag Kashyap storms in with another piece of mind blowing story ,the fourth one in the slot. A typical Kashyap showdown with a subtle flavor of tragedy molded in, the last few minutes of this one as well as the whole movie, sparked a standing ovation from the audience in the end. A terrific acting from Vineet Kumar like his Wasseypur brother Nawazuddin earlier, marked the very essence of the story, only if you are not too critical about mentioning the charismatic presence of Amitabh Bacchan. A rating of 9.5/10 will somewhat, still seem a tad bit less for this piece of story.
And after "THE END" was shown, when actually it was not, and just when you feel you have had enough for the ticket you paid, you gotta sit back, only to see that Bollywood being revisited from the vintage past and present alike to mark its 100 years. On a confessing note, it was still not required and even if it was it should have been précised out to clamp on to the mood the movie had set. Some unnecessary sparkle-in-the-light stuff did partly dampen the mood in the end.
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