When Jacob discovers clues to a mystery that stretches across time, he finds Miss Peregrine's Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.
Samuel L. Jackson
Pete, a boy is found in a forest. Apparently he's been living there for six years after an accident took his parents. A ranger named Grace decides to take him in and when she asks him how he survived all by himself, he says he had a friend, Elliot, with him. He draws a picture of Elliot and it's a picture of a dragon. Grace takes the picture to her father who claims that years ago, he encountered a dragon in the forest. Grace takes Pete back to the forest and he shows them where he lives and Elliot. A man saw Elliot and when he tells about his experience and is not believed, he sets out to prove it by capturing the dragon. Written by
There is a scene when they enter the main street and it is set up like an American street, i.e.: drivers on the right side and marking on the right.. BUT of on a side street, they have failed to correct the New Zealand road markings and cars are on the left. See more »
I know the forest like the back of my hand. I wouldn't have missed a dragon.
You missed Pete.
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For a re-imagining, 'Pete's Dragon' impressed much more than expected
The 1977 'Pete's Dragon' was a favourite as a child. As far as by today's standards, while not a great film and not as good through adult eyes (plus there are better live-action Disney films, especially the timeless 'Mary Poppins'), it's still well worth watching.
Despite having some really talented names on board, expectations were both of great interest but feeling dubious. It did have potential to be better than the 1977 film, and still stand very well on its own, or it could have been a lazy and pointless cash-grab. While it is not perfect by any stretch of the imagination, it proved to be a better film than anticipated.
Not one of the best live-action Disney re-imaginings like 'Cinderella' and 'The Jungle Book' (much better than 'Maleficent' though), but still for a re-imagining 'Pete's Dragon' was a good one. It is let down by the final act, where the darker and more action-packed tone jars with what was happening before in the film and at this point the film starts to feel rushed. The villain just felt very shoehorned in and out of place, for the sake of "needing" an "obligatory" villain for conflict (that to me wasn't necessary), not helped by the hammy performance of Karl Urban that just feels out of kilter with the rest of the cast.
Where 'Pete's Dragon' especially soars is in the very charming and touching friendship chemistry between Pete and Elliot, essentially the heart of the film. Speaking of Elliot, he is a very lovingly crafted creature with not just beautiful details to him but also with a personality that wins one over in how endearing he is.
'Pete's Dragon', apart from some overly grim lighting in places, looks great visually, the splendid scenery being especially good complemented beautifully by cinematography that's atmospheric and picturesque. The music is lovingly whimsical and fits the film well when it could easily have not done.
Scripting serves its purpose well and doesn't hurt the atmosphere or the central friendship at all, weakening only with the villain and when the film gets darker. David Lowery directs very capably and balances the various elements well. Although it won't work, and hasn't worked, for some (with criticisms of it being thin narratively, slow-moving and either too sentimental or cold), for me the story (radically altered with a more sombre tone for example) was immensely charming and appreciated the calmer, straightforward, more gentle and deliberate nature of the story which allowed the friendship to resonate. Never found it mawkish and thought that there was enough emotion without it overshadowing things, though admittedly there is not much that is particularly new.
Urban aside, the acting is good. Oakes Fegley and Oona Laurence are very appealing, while Bryce Dallas Howard is luminous and compassionate and, while not being on screen for long, Robert Redford achieves the right balance of the grizzled and the sympathetic. But essentially it is Elliot and the friendship between him and Pete that carry the film, and, as they should, captivate most strongly.
In summary, while with its foibles 'Pete's Dragon' was a much more impressive re-imagining than expected after mixed expectations. 8/10 Bethany Cox
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