The planned reburial of a village elder goes awry as the corpse resurrects into a hopping, bloodthirsty vampire, threatening mankind. Therefore, a Taoist Priest and his two disciples attempt to stop the terror.
Expelled by a band of restless ghosts in his village, Taoist Priest Mao Ming, and his two spirit companions, visit another village to seek wealth. There, Ming meets Master Gau, the "Vampire... See full summary »
Film archivist David (Rupert Evans) has been having a rough time lately, as he suspects that his wife Alice (Hannah Hoekstra) has been cheating on him with Alex (Carl Shaaban), one of her ... See full summary »
Kylie Bucknell is forced to return to the house she grew up in when the court places her on home detention. Her punishment is made all the more unbearable by the fact she has to live there ... See full summary »
Rima Te Wiata,
A married couple lose their children while on a family trip near some caves in Tijuana. The kids eventually reappear without explanation, but it becomes clear that they are not who they ... See full summary »
Adrián García Bogliano
Dulce is a mother who has encounters with apparitions in her old house, where it unleashes a terrible prophecy. Thirty years later, turned into an old woman, she returns home to unravel the mystery and tragedy that has tantalized her.
A Taoist Priest isn't too happy when his Buddhist Priest colleague moves in next door. They are subject to constant feuds and duels, but soon must overcome their odds towards each other ... See full summary »
In this eerie and chilling, contemporary, action/special effects laden homage to the classic Chinese vampire movies of the 1980's, writer-director-producer, Juno Mak makes his feature directorial debut. Co-produced by J-Horror icon Takashi Shimizu, and reuniting some of the original cast members of the classic Mr. Vampire series, RIGOR MORTIS is set in a creepy and moody Hong Kong public housing tower whose occupants we soon discover, run the gamut from the living to the dead, to the undead, along with ghosts, vampires and zombies. Written by
Michael J. Werner
The actor Siu-Ho Chin wanted to actually appear tired in the movie, so he requested to be awaken before every 3rd hour he slept to prevent him from hitting REM cycle and actually getting rest while he worked on the film. The director Juno Mak made the first call to his hotel room to wake him up. See more »
Towards the beginning, we see Pak exiting the elevator through a reflection of Chin's sunglasses. In this image, we also see the floor number 24. However, since this is being seen via reflection, the number 24 should be reversed as a mirror image, but it is not. See more »
Right up to and at least one minute passed the very end of all the main end credits' there is a shot of the "vampire blood-wheel" in motion. Again, this is after the end credits after at least one minute of blank/black screen, on the UK Metrodome DVD. See more »
Asian mythology meets stunning visual effects in an atmospheric, detailed and slow-paced horror movie
"Rigor Mortis" is a slow-paced but intriguing atmospheric horror movie that honours both classic supernatural Hongkong cinema from the eighties and nineties and Japanese horror cinema of the nineties and the early years of the new millennium. The movie uses mythological elements from both cultures. To dig all these elements, it's suggested to get informed about the mythological background and watch this movie multiple times. You will realize that each character in the movie represents a different kind of ghost from Chinese mythology for example. You might also realize that the strange tall people with the umbrellas that seem to have a random cameo appearance in this movie are actually soul collectors using their umbrellas as traps. You could also see that the cook and the priest are both Taoist priests but while one uses his powers to help people and fight demons, the other uses the same powers for his own selfish acts and helps to awake and strengthen the demons. As you can see, this movie is filled with many lovely little details. If you are looking for explicit gore or an extremely creepy experience, you are at the wrong address.
Something that largely contributes to the atmosphere is the use of lights and shades, camera angles varying from wide angels to claustrophobic short cuts and many special effects that especially use colours very well. The CGI effects never look out of place and aren't overused as in many other contemporary Chinese films, especially action movies. In his directional debut, Juno Mak manages to keep the basis of solid traditional horror movies based on an atmospheric use of lights and sounds, on creepy settings in a dirty public housing tower with old- fashioned apartments and on a menacing score and more contemporary elements such as the use of vivid flashy colours contrasting with the dark settings, computer-animated demons that sometimes look exotically supernatural and at other times disturbingly realistic and slow-motion camera sequences that add a nightmarish touch to the movie.
Apart of its detailed background and its consistent gloomy atmosphere, the movie can actually convince with some interesting characters. Each important character in this movie has a tragic tale to tell and some sort of development. Some of the background stories are actually quite touching and mostly deal with loss in one way or the other. The acting is calm, grounded and actually realistic and a welcome change if compared to the usual hysterically screaming teenagers. There is not really one outstanding acting performance but each actor and actress does an above average effort in this film.
It's hard to talk about the plot itself as several individual fates and different stories end up leading to something bigger and a fatal last fight between some courageous apartment tenants and some evil creatures. The movie also contains some sort of twist or alternate story if you want to which is revealed in the last three minutes. This twist is nothing really surprising after all and maybe the only real weak point in here but you have to understand that what matters in this movie is not really the outcome of it but the way things unfold. The way between start and finish is much more intriguing than the short overture and the grand finale themselves.
Now, if you care for atmospheric, mythological and slow-paced Asian horror cinema where you have to use your brain a little bit, this is definitely one of the most original movies in many years. If you are expecting the usual graphic shocker or scary supernatural film that solely wants to entertain, then you might actually dislike this film. Make sure to be familiar with Asian horror cinema before checking this movie out and you might enjoy your overall experience even more.
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