| Cast overview, first billed only: | |||
| Gérard Depardieu | ... | ||
| Jacqueline Bisset | ... | ||
| Marie Mouté | ... |
Sophie Devereaux
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| Paul Calderon | ... |
Pierre
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| Paul Hipp | ... |
Guy
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Pamela Afesi | ... |
Maid
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Chris Zois | ... |
Chris
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| Shanyn Leigh | ... |
Female Journalist
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| Amy Ferguson | ... |
Renee
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| Ronald Guttman | ... |
Roullot
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Emmanuelle Vill | ... |
Emmanuelle
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| JD Taylor | ... |
Josh
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| José Ramón Rosario | ... |
Detective Rosario
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Louis Zaneri | ... |
Sergeant Landano
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| Pascal Yen-Pfister | ... |
Hotel Security Chief
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Mr. Devereaux is a powerful man. A man who handles billions of dollars every day. A man who controls the economic fate of nations. A man driven by a frenzied and unbridled sexual hunger. A man who dreamed of saving the world and who cannot save himself. A terrified man. A lost man.
Anyone acquainted with the Dominique Strauss-Kahn scandal that rocked international media would find Welcome to New York interesting. The movie gave us some time in private with the main protagonist, although it's clearly been a work of fiction, as the introductory notes underlined.
In this movie the aesthetics of Abel Ferrara were put to gut use. As it usually has been the case with his movies, it was difficult to say whether the look and feel of a TV docudrama was intentional or the budget didn't allow a better postproduction. Either way, it sat well with Welcome to New York. It was a gritty insight into the daily routine of an important man who, after a hard day's work, relaxed in some debauchery.
From there we go to a cordial welcome at NYPD until the big international capital intervened and charges were dropped. The last section of the movie, although the least exciting, gave the main protagonist the opportunity to spend some time under house arrest and open his heart. And it wasn't the possibility that both himself and Dominique Strauss-Kahn could have become "the future president of France" that made my stomach turn. It was rather his/theirs inability to perceive any wrongdoing and the unwillingness to repent.