Jesse begins experiencing a number of disturbing and unexplainable things after the death of his neighbor. As he investigates, it isn't long before Jessie finds he's been marked for ... See full summary »
Six tourists hire an extreme tour guide who takes them to the abandoned city Pripyat, the former home to the workers of the Chernobyl nuclear reactor. During their exploration, they soon discover they are not alone.
Olivia Taylor Dudley
Amber dreams of escaping her small town existence and persuades her friends to accompany her to find an apartment in the big city. When their transportation breaks down, she and her friends... See full summary »
After a mysterious, lost night on their honeymoon, a newlywed couple finds themselves dealing with an earlier-than-planned pregnancy. While recording everything for posterity, the husband begins to notice odd behavior in his wife that they initially write off to nerves, but, as the months pass, it becomes evident that the dark changes to her body and mind have a much more sinister origin. Written by
20th Century Fox
The decision was made by the filmmakers to move the movie away of the previous "found footage" tropes (such as the use of a framing device, a linear narrative and a non-recognizable cast) and into a story "told through cameras that exist in the world of the characters" much like Chronicle. This is demonstrated throughout, including the deliberate absence of a framing device, the use of an animated opening quote, a recognizable cast, a non-chronological narrative structure and a final music cue that is playing in the taxi becomes the end-credits song. See more »
Anyone who worked on "Devil's Due" should never work again
This was really deceptive marketing and hype that drew me into this movie. I am very sorry I went. The acting, directing, production design, continuity, editing and of course the story, screen writing and execution were just abysmal. There was nothing of quality in this film. The characters were stupid, the camera work was jarring "handheld reality TV" nonsense and on top of it all, the plot was told in a far superior manner by Roman Polanski in "Rosemary's Baby" forty years ago! It just shows that with some production money, a digital camera and some reality-TV "Blair Witch"/"Paranormal Activity"-type marketing approach, you can sell any kind of garbage to the American public. I urge you not to support this film, or any future endeavours of anyone involved with this project (cast, crew, director or screenwriters)....
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