Directed by
Joshua Shreve | ... | (as Josh Shreve) |
Writing Credits
Josh Chesler | ... | (screenplay by) |
Justin Chaffee | ... | (Additional Screenplay Work) |
Cast (in credits order)
Produced by
Holly Allen | ... | associate producer |
Josh Chesler | ... | executive producer |
Spenser Fritz | ... | line producer |
Molly M. Mayeux | ... | producer |
William Pope | ... | executive producer |
Jay Dee Walters | ... | executive producer |
Music by
Michael Whittaker | ||
Matthew Perryman Jones | ... | (uncredited) |
Cinematography by
Jeff Steinborn |
Editing by
Joshua Shreve | ... | (as Josh Shreve) |
Casting By
Holly Allen |
Production Design by
Amanda Dillingham |
Set Decoration by
Katie Mamie | ... | (as Katie Butler) |
Costume Design by
Lindsay Zgonina |
Makeup Department
Hayley Rose | ... | makeup/hair designer |
Anna Williams | ... | hair stylist (as Anna Aldrich) |
Second Unit Director or Assistant Director
Andrew Ford | ... | first assistant director |
Jon C. Forisha | ... | second assistant director |
Eli Osman | ... | second second assistant director |
Art Department
Mayra Cervantes | ... | art assistant |
Alison Mattingly | ... | prop master (as Alex Mattingly) |
Sound Department
Matthew Manselle | ... | foley editor / foley mixer |
David Mellon | ... | boom operator |
Nick Palladino | ... | re-recording mixer |
David Thilking | ... | boom operator |
John Villarosa | ... | sound mixer |
Visual Effects by
Tim Moore | ... | visual effects |
Camera and Electrical Department
Hunter Dixon | ... | gaffer |
Adam Drake | ... | first assistant camera |
Billy Gomes | ... | best boy electric |
Anthony Jastrow | ... | key grip |
Chris Jastrow | ... | best boy grip |
Paul Alan Jones | ... | digital imaging technician |
Nick Kharbanda | ... | additional camera assistant |
Mark Levine | ... | stills |
David Mellow | ... | first assistant camera |
Preston Nair | ... | first assistant camera |
Michael Rolli | ... | second assistant camera |
J.T. Summer | ... | first assistant camera |
Hank Williamson | ... | swing grip |
Casting Department
Lesley Powers | ... | extras casting (as Lesley Surdi) |
Editorial Department
James Cadenas | ... | digital intermediate colorist (as Jimmy Cadenas) |
J.T. Dekker | ... | post engineer |
Phil Gazell | ... | post engineer |
Marisa Howard | ... | post engineer |
Russell Mehringer | ... | post engineer (as Russel Mehringer) |
Tim Moore | ... | digital intermediate online editor |
Robert Zimmerman | ... | digital intermediate producer |
Music Department
Anastasia Brown | ... | music supervisor |
Julia Emahiser | ... | cello: teacher to Meyrick Murphy |
Whitney Pilzer | ... | music coordinator |
Script and Continuity Department
Josh Ickes | ... | script supervisor |
Transportation Department
Dave Hodgin Jr. | ... | transportation coordinator (as Dave Hodgin) |
Teresa Sloat | ... | transportation captain |
Additional Crew
Eric Condrey | ... | production assistant |
Jose Hernandez | ... | accounting services |
Brian Hulsey | ... | provider: "dead squirrel" |
Belle Jiao | ... | Assistant to Producer & Director |
Shannon Lindamood | ... | choreographer |
Stephan Michaels | ... | image clearance |
Eli Osman | ... | production assistant |
Lesley Powers | ... | production assistant (as Lesley Surdi) |
Michael White | ... | epk |
Walter Woods IV | ... | production assistant (as Walter Woods) |
Thanks
Romel Adam | ... | the producers would like to thank: at Renaissance Films |
Melinda Eisnaugle | ... | very special thanks |
Carlos K. Goodman | ... | the producers would like to thank: from Bloom, Hergott, Diemer, Rosenthal, La Violette & Goodman |
Kent Hammond | ... | very special thanks |
Byron Herlong | ... | very special thanks |
Belle Jiao | ... | very special thanks |
Paul Alan Jones | ... | very special thanks (as Paul Jones) |
Joe Mulherin | ... | very special thanks |
Robert Orr | ... | very special thanks |
Mike Simpson | ... | the producers would like to thank: from William Morris Endeavor |
Igor Stanojevic | ... | very special thanks |
Jeff Steinborn | ... | very special thanks |
Irwin Tenebaum | ... | the producers would like to thank: from Loeb & Loeb |