Liège, Belgium. Sandra is a factory worker who discovers that her workmates have opted for a EUR1,000 bonus in exchange for her dismissal. She has only a weekend to convince her colleagues to give up their bonuses in order to keep her job.
Put in charge of his young son, Alain leaves Belgium for Antibes to live with his sister and her husband as a family. Alain's bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.
Sokol and Lorna, two Albanian emigrants in Belgium, dream of leaving their dreary jobs to set up a snack bar. They need money, and a permanent resident status. Claudy is a junkie - he needs... See full summary »
Biopic of the iconic French singer Édith Piaf. Raised by her grandmother in a brothel, she was discovered while singing on a street corner at the age of 19. Despite her success, Piaf's life was filled with tragedy.
In a Russian coastal town, Kolya is forced to fight the corrupt mayor when he is told that his house will be demolished. He recruits a lawyer friend to help, but the man's arrival brings further misfortune for Kolya and his family.
1921. An innocent immigrant woman is tricked into a life of burlesque and vaudeville until a dazzling magician tries to save her and reunite her with her sister who is being held in the confines of Ellis Island.
Sandra Bya, married with two children, has been off work from her job at Solwal on medical leave for depression. During her absence from work, her boss, M. Dumont, on the suggestion of her immediate supervisor, the shop foreman Jean-Marc, figures that her section of the company can function with sixteen people working full time with a bit of overtime instead of seventeen with no overtime, that seventeenth person being Sandra. Because of the global competition the company faces, Dumont decides the company can only finance the annual bonuses for those sixteen employees, which are EUR1,000 per person, or Sandra's job, leaving the decision to those sixteen. On a Friday near the end of her medical leave, Sandra learns of this situation from her friend and co-worker Juliette after the "show of hands" vote is held, the result a 13-3 decision for the bonuses over Sandra's job. Because Juliette knows Jean-Marc, who is determined to get rid of Sandra, influenced the vote by scare mongering ... Written by
According to Fabrizio Rongione, his character in the film, Manu, has a last name of "Totti" which, though not referenced in the film, serves as an indication of the character's Italian nationality. It is also an homage to Francesco Totti, the iconic captain of AS Roma, Rongione's favorite football team. See more »
Hello? I was resting. Just a second. I have to get my tart out. I've made a tart for the kids. Yes, why? Tell me why. No. No, Juliette. No.
[hangs off the phone]
You mustn't cry.
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Good art flick that sneaks up on my blockbuster standards.
It's as low key and quiet as a film can get. It's not enhanced for comedy, action, or drama. Just a realistic human story of the basic struggle to make ends meet in this world.
It's the type of movie that separates the movie geeks from the film geeks.
As a film geek, I can appreciate how the filmmakers did so much with so little, especially actress,Marion Cotillard.
The movie counts on her being realistic, all the way down to the weight it looks like she lost in order to play a woman who just got over an illness, and in order to get her job back spends a weekend visiting her coworkers in order to convenience them to vote for her to get her job back in a secret ballet on Monday, over a big bonus they would all get if she stays laid-off. She had to be believable as a proud woman who did not want to ask her coworkers of this, she did not want their pity, but she needed to support her family, a situation all of her coworkers are also in. It's a truly unbalanced and unfair situation for everyone and Marion did an excellent job portraying how uncomfortable that is.
As a movie geek, though the movie was watered down with absolutely no sugar, I'm glad it was not boring. It helps that the subject is something almost everyone who has a job in this economy can relate to, no matter which side of the equation you're on.
Definitely the type of picture we'll all be discussing long after the film is over. '
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