Sophia and Luke make an unexpected and fateful connection with Ira, a 90-year-old man, when they save him from a car crash. Ira's memories of his own decades-long romance with his beloved wi... Read allSophia and Luke make an unexpected and fateful connection with Ira, a 90-year-old man, when they save him from a car crash. Ira's memories of his own decades-long romance with his beloved wife deeply inspire the young couple.Sophia and Luke make an unexpected and fateful connection with Ira, a 90-year-old man, when they save him from a car crash. Ira's memories of his own decades-long romance with his beloved wife deeply inspire the young couple.
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- I really thought The Longest Ride was going to be a sappy movie based on a book by Nicholas Sparks. I was mistaken. Yes, it can be sappy but turns out to be a good story. A young couple, a city girl and a cowboy go out on a date only to discover they are too different for it to work. They drive up to an accident scene and the cowboy saves the driver while the gal discovers a lot of letters. This sets a path to a past love story and sets the course for the cowboy and city girl to have a little faith in finding love even though circumstances may point elsewhere. I believe this is a good date movie or just a feel good story. Long live cowboys.
And I don't think it's going to take any time at all for this hunk to be completely and absolutely known only for his own looks, talent, and fame rather than having the fact that he's Clint Eastwood's son being tacked on. Scott is good! Britt Robertson was nicely cast as Sophia, except I have to admit here that I kept seeing a young Renee Zellweger in the part– before the silly plastic surgery turned her into a total stranger. Or just strange. Whatever. Jack Huston was excellent as a young Ira and I think portraying the elderly Ira is one of Alan Alda's best roles. I was just expecting the usual chick flick - but not so. Rugged enough action with the bull riding to interest any guy, as well as a decent plot and all around good acting. To sum it up, this is a nicely done film and one I wouldn't hesitate to recommend.
Nicholas Sparks' movies are almost always seemingly made to please the hopeless romantics and the fairytale romance-loving audience, they're expected to manipulate emotions, no matter how extremely recognizable their set ups may be, and they often triumph. But in THE LONGEST RIDE, the attempt barely mimics such success, primarily because of its confusing and ever shifting narrative, whose backbone runs on two romantic sagas spanning across different generations.
THE LONGEST RIDE sprawls across two love stories set in the modern day and seventy years ago. In modern day, it has Luke and Sophia, two utterly good-looking people, who at first sight falls in love with each other, they stumbles upon Ira, a World War II veteran, who himself, has his own epic love story to tell—that one he shared with his wife, Ruth, seventy years ago. More often, these two love stories bear no difference from each other, as both couples go through similar hardships to carry their relationships.
The idea of crisscrossing time to present two supposedly compelling love stories, perhaps, is to double the magnitude of emotions and deliver a more poignant result, yet such very confusing structure is what actually makes giving both the stories with equal level of sentiment, difficult. Still, no matter how one appears to hold more promise of an engaging love story than the other, the tedious and confusing process of going back and forth across two different time frames, and the fact that the narrative failed to establish concrete connection between the two stories, renders less than satisfying result. There's also this chemistry that Luke and Sophia seem to be lacking, regardless of how incredibly beautiful they are as persons, and that, may also be the reason why the other story, strikes as more riveting than theirs. This makes the entirety of the movie—its interesting premise and structure yet often convoluted, and its thinly drawn characters—hard to appreciate and care about. Nevertheless, in the eyes of a true Sparks' fan, and of anyone easily drawn to such anthems, THE LONGEST RIDE easily serves its purpose.
Spanning through generations and intertwining love affairs, THE LONGESTh RIDE would have been more satisfying had it treated both the stories with equal attention. That's not to say it has no small moments of perfection, because it does, but as a whole, the movie just falls below average.
THE LONGEST RIDE sprawls across two love stories set in the modern day and seventy years ago. In modern day, it has Luke and Sophia, two utterly good-looking people, who at first sight falls in love with each other, they stumbles upon Ira, a World War II veteran, who himself, has his own epic love story to tell—that one he shared with his wife, Ruth, seventy years ago. More often, these two love stories bear no difference from each other, as both couples go through similar hardships to carry their relationships.
The idea of crisscrossing time to present two supposedly compelling love stories, perhaps, is to double the magnitude of emotions and deliver a more poignant result, yet such very confusing structure is what actually makes giving both the stories with equal level of sentiment, difficult. Still, no matter how one appears to hold more promise of an engaging love story than the other, the tedious and confusing process of going back and forth across two different time frames, and the fact that the narrative failed to establish concrete connection between the two stories, renders less than satisfying result. There's also this chemistry that Luke and Sophia seem to be lacking, regardless of how incredibly beautiful they are as persons, and that, may also be the reason why the other story, strikes as more riveting than theirs. This makes the entirety of the movie—its interesting premise and structure yet often convoluted, and its thinly drawn characters—hard to appreciate and care about. Nevertheless, in the eyes of a true Sparks' fan, and of anyone easily drawn to such anthems, THE LONGEST RIDE easily serves its purpose.
Spanning through generations and intertwining love affairs, THE LONGESTh RIDE would have been more satisfying had it treated both the stories with equal attention. That's not to say it has no small moments of perfection, because it does, but as a whole, the movie just falls below average.
Enjoyable tearjerker flick paralleling modern love story between bull rider and college student with that of an older gentleman who is on his deathbed. I personally thought that the story of the older couple was more developed and less cliché. The plot is overall enjoyable. The cinematography of North Carolina mountains is beautiful. My favorite scene was the last bull riding scene which is in slow motion and uses punchy bass (only real use of LFE effects in the movie).
On a personal note, I was saddened to read that Rango the Bull passed away after shooting the movie but before the film was released. Apparently he was a real life superstar in the rodeo circuit.
On a personal note, I was saddened to read that Rango the Bull passed away after shooting the movie but before the film was released. Apparently he was a real life superstar in the rodeo circuit.
My husband and I really enjoyed this. It's sweet and romantic. If you like a movie without swearing and gratuitous sex, etc., this is a feel-good story. Alan Alda was wonderful, and we enjoyed seeing him in this role. Scott Eastwood was convincing as a PBR rider trying not to become a has-been and working through issues of his own. There's action for the guys (bull riding), and something for the ladies (bull riding, and a flash of Scott Eastwood's nice buttocks-thank you for that-so there's something for everyone. The actress who played Alan Alda's wife was absolutely darling. Very romantic film about two people who had a meet-cute and found their lives changed in many ways.
Storyline
Did you know
- TriviaThis movie features three actors who are descendants of notable film directors: Scott Eastwood (son of Clint Eastwood), Jack Huston (grandson of John Huston), and Oona Chaplin (granddaughter of Charles Chaplin).
- GoofsWhen Sofia puts on Luke's hat at the rodeo, she puts it on backwards. You can tell by the flatness of the brim. At the bar, the hat changes location on her head frequently.
- Alternate versionsThe UK release was cut, this film was originally seen for advice, when the distributor was informed that it was likely to receive a 15 classification but that their preferred 12A could be obtained by removing a scene of strong sex. When the film was submitted for formal classification, that scene had been removed and the film was classified 12A.
- SoundtracksGet Free
Written by Craig Nicholls
Performed by The Vines
Courtesy of Capitol Records, LLC under license from Universal Music Enterprises
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Details
- Release date
- Country of origin
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- Also known as
- El viaje más largo
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- See more company credits at IMDbPro
Box office
- Budget
- $34,000,000 (estimated)
- Gross US & Canada
- $37,446,117
- Opening weekend US & Canada
- $13,019,686
- Apr 12, 2015
- Gross worldwide
- $62,944,815
- Runtime2 hours 3 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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