
The Riot Club (2014)
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- R
- 1h 47min
- Drama, Thriller
- 27 Mar 2015 (USA)
- Movie
- 2 nominations.
- See more »
Photos and Videos
Cast verified as complete
Thomas Arnold | ... |
Escott
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Harry Lloyd | ... |
Lord Riot
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Amber Anderson | ... |
Lady Anne
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Max Irons | ... |
Miles
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Sam Claflin | ... |
Alistair Ryle
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Andrew Woodall | ... |
Alistair's Father
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Anastasia Hille | ... |
Alistair's Mother
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Vincent Franklin | ... |
Porter
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Holliday Grainger | ... |
Lauren
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Sam Reid | ... |
Hugo
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Patrick Barlow | ... |
Don
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Jack Farthing | ... |
George
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Mary Roscoe | ... |
George's Mummy
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Joey Batey | ... |
Eager Chap
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Douglas Booth | ... |
Harry Villiers
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Freddie Fox | ... |
James
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Miles Jupp | ... |
Male Banker
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Vera Chok | ... |
Female Banker
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Josh O'Connor | ... |
Ed
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Olly Alexander | ... |
Toby
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Rachel Redford | ... |
Hannah
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Matthew Beard | ... |
Guy
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Ben Schnetzer | ... |
Dimitri
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Tony Way | ... |
Mugger
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Daniel Kendrick | ... |
Young Hooded Man
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Samuel West | ... |
Tutor
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Amanda Fairbank-Hynes | ... |
Kerry
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Tom Hollander | ... |
Jeremy
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Jessica Brown Findlay | ... |
Rachel
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Teresa Churcher | ... |
Helen
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Aki Omoshaybi | ... |
Paul
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Gordon Brown | ... |
Chris
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Michael Jibson | ... |
Michael
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Justin Edwards | ... |
Grumpy Man
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Joseph Kloska | ... |
Ruby Wedding Man
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Sarah Crowden | ... |
Elderly Woman
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Natalie Dormer | ... |
Charlie
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Liam McKenna | ... |
Police Officer 1
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Ashley McGuire | ... |
Police Officer 2
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Shola Adewusi | ... |
Hospital Receptionist
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Harry Attwell | ... |
Police Officer 4
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James Laurenson | ... |
College President
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Geraldine Somerville | ... |
Miles' Mother
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Julian Wadham | ... |
Miles' Father
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Xavier Atkins | ... |
Olly
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Rest of cast listed alphabetically: | |||
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Antonia Anderson | ... |
Fresher (uncredited)
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Jennifer Brenner | ... |
Nurse (uncredited)
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Jill Buchanan | ... |
Female Police Officer (uncredited)
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Glenn Bunn | ... |
Student (uncredited)
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Robert F. Byrne | ... |
Bewigged Man (uncredited)
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Bern Collaço | ... |
Doctor (uncredited)
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Renee Daly | ... |
Chris's Wife (uncredited)
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Ginny Dee | ... |
Uniformed Police Officer (uncredited)
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Ondra Dorian | ... |
Jonathan (uncredited)
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Amanda Edwards | ... |
Oxford Parent (uncredited)
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Robin George | ... |
Gentlemen's Club Steward (uncredited)
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Abi Gilchrist | ... |
Chorister (uncredited)
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Timothy Hamilton | ... |
Police Officer 2 (uncredited)
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Juliet Hartley | ... |
Student (uncredited)
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Matt Lott | ... |
Student (uncredited)
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Oliver Maltman | ... |
Car Salesman (uncredited)
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Barrie Martin | ... |
Barman (uncredited)
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Stuart Matthews | ... |
Barman (uncredited)
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Matthew David McCarthy | ... |
(uncredited)
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Ross McKinnon | ... |
Pub Guest (uncredited)
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Tom Mison | ... |
Riot Club Founder (uncredited)
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John Neville | ... |
Man in Pub (uncredited)
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Adam Nowell | ... |
Scholar (uncredited)
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Hugh O'Brien | ... |
Waiter (uncredited)
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Scott Plumridge | ... |
Man in Pub (uncredited)
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Edward Randolph | ... |
Cambridge Team Fencer (uncredited)
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Deborah Rosan | ... |
Forensic Scientist (uncredited)
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Steve Saunders | ... |
Hospital Visitor (uncredited)
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Scott Stevenson | ... |
Student (uncredited)
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Dan Twine | ... |
Naked Dancing Rower (uncredited)
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Julie Vollono | ... |
(uncredited)
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John Warman | ... |
Police Custody Officer (uncredited)
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James Wiles | ... |
Fresher (uncredited)
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Directed by
Lone Scherfig |
Written by
Laura Wade | ... | (written by) |
Laura Wade | ... | (based on the stage play "Posh" by) |
Produced by
Graham Broadbent | ... | producer |
Peter Czernin | ... | producer |
Ivan Dunleavy | ... | executive producer |
Lizzie Francke | ... | executive producer |
Ben Knight | ... | co-producer |
Sam Lavender | ... | executive producer |
Steve Norris | ... | executive producer |
Rosa Romero | ... | line producer |
Tessa Ross | ... | executive producer |
Thorsten Schumacher | ... | executive producer |
Peter Watson | ... | executive producer |
Music by
Kasper Winding |
Cinematography by
Sebastian Blenkov | ... | director of photography |
Editing by
Jake Roberts |
Editorial Department
Matt Adams | ... | digital intermediate consultant |
Mike Austin | ... | post production & technical operations |
James Corless | ... | operations manager: Pinewood Digital |
Paul Ensby | ... | digital colourist |
Kim Honeyman | ... | senior digital intermediate producer |
Jaime Leonard | ... | on-line editor |
Beaumont Loewenthal | ... | second assistant editor |
Lindah Luseno | ... | data management |
Lee Twohey | ... | hd mastering & deliverables |
Immanuel von Bennigsen | ... | first assistant editor |
Casting By
Lucy Bevan |
Production Design by
Alice Normington |
Art Direction by
Andrea Matheson | ... | supervising art director |
Julian Nix |
Set Decoration by
Barbara Herman-Skelding | ... | (as Barbara Herman Skelding) |
Costume Design by
Steven Noble |
Makeup Department
Anita Burger | ... | makeup artist |
Nathaniel De'Lineadeus | ... | dental effects designer |
Carmel Jackson | ... | key makeup artist |
Alexandra Joyce | ... | hair stylist: dailies / makeup artist: dailies |
Klara Levring | ... | trainee |
Chris Lyons | ... | special effects teeth |
Siân Miller | ... | hair artist: dailies (as Sian Turner) / makeup artist: dailies (as Sian Turner) |
Alex Rouse | ... | wigmaker |
Jan Sewell | ... | hair designer / makeup designer |
Helen Taylor | ... | hair trainee / makeup trainee |
Production Management
Nigel Bennett | ... | post-production manager |
Chris Hankey | ... | unit manager |
Alistair Hopkins | ... | post-production supervisor |
Gabby Le Rasle | ... | production manager |
Second Unit Director or Assistant Director
Joe Barlow | ... | crowd second assistant director |
Brady Hood | ... | second unit director |
Olivia Lloyd | ... | key second assistant director |
Saloum N'Jie | ... | third assistant director: crowd |
Ben Quirk | ... | third assistant director |
Deborah Saban | ... | first assistant director |
Art Department
Lauren Briggs-Miller | ... | assistant art director |
Graham Caulfield | ... | drapesmaster |
Kimberley Fahey | ... | set decorator buyer |
Lois Gabrin | ... | petty cash buyer |
Laura Harkin | ... | assistant art department |
Clare Holland | ... | supervising scenic painter |
David Horrill | ... | property master (as Springer Horrill) / property master |
Jonathan Houlding | ... | concept artist |
Gary Jobber | ... | carpenter |
Dougie Lankston | ... | props |
Jason Line | ... | portrait artist |
Laura Livingstone | ... | assistant painter: work experience |
Imogen Lloyd | ... | graphic design assistant |
Dan Marsden | ... | construction supervisor |
Seb Palmer | ... | carpenter |
David Sawyer | ... | standby carpenter |
Matilda Wainwright | ... | stand-by art director |
Barney Ward | ... | stand-by props |
Chris Edwards | ... | props (uncredited) |
Sound Department
Ben Barker | ... | sound design editor |
Ray Beckett | ... | production sound mixer |
Dillon Bennett | ... | sound effects editor |
Peter Burgis | ... | foley artist |
Andrew Caller | ... | re-recording mixer |
Lloyd Dudley | ... | boom operator |
Glenn Freemantle | ... | sound designer / supervising sound editor |
Glen Gathard | ... | foley mixer |
Peter Gleaves | ... | adr mixer |
Peter Hanson | ... | foley editor |
Nina Hartstone | ... | adr editor / supervising dialogue editor |
Eilam Hoffman | ... | sound effects recordist |
Rob Huckle | ... | sound consultant: Dolby |
Dash Mason-Malik | ... | second assistant sound |
Brendan Nicholson | ... | re-recording mixer |
Harry Platford | ... | adr recordist |
Jemma Riley-Tolch | ... | assistant foley mixer |
Timothy Siddall | ... | sound mix technician |
Roman Turtev | ... | assistant sound engineer |
Special Effects by
Graham Aikman | ... | senior special effect technician |
Neal Champion | ... | special effects supervisor |
Luke Corbyn | ... | special effects technician |
Visual Effects by
Simon Giblin | ... | digital effects artist |
Dolores McGinley | ... | visual effects |
Stunts
Ben Collins | ... | precision driver |
David Collom | ... | stunt performer |
Jo McLaren | ... | stunt coordinator |
Christopher Schönning | ... | gordon brown / stunt performer |
Camera and Electrical Department
Sam Alberg | ... | rigging gaffer |
Simon Baker | ... | camera operator: "b" camera / steadicam operator |
Ewan Cassidy | ... | rigging gaffer |
Daniel Chaytor | ... | electrician: dailies |
Nicola Dove | ... | still photographer |
Kilian Drury | ... | electrician |
Steve Fitzpatrick | ... | head of department rigger |
Kevin Foy | ... | key grip |
Emma Friend | ... | assistant camera: dailies |
Christian Hayes | ... | lighting technician dailies |
Al Hindley | ... | epk camera operator |
Deepa Keshvala | ... | camera trainee |
Andy Lowe | ... | gaffer |
John Malaney | ... | electrician: dailies |
David Nye | ... | electrician |
Andrew O'Driscoll | ... | generator op |
Derrick Peters | ... | first assistant camera: "a" camera |
Pawel Polak | ... | best boy |
Iwan Prys Reynolds | ... | focus puller: c camera dailies |
Sarah Rollason | ... | b cam focus puller |
Iain Thomson | ... | digital imaging technician |
Calem Trevor | ... | camera trainee: skillset |
Benjamin Wearing | ... | second assistant camera: 'b' camera |
Dan West | ... | second assistant camera: "a" camera |
Casting Department
Vanessa Baker | ... | adr voice casting |
Olivia Scott-Webb | ... | casting associate |
Lizzie Bichard | ... | casting assistant (uncredited) |
Costume and Wardrobe Department
Bartholomew Cariss | ... | assistant costume designer |
Clementine Charity | ... | key costumer |
Natalia Georgiadou | ... | wardrobe |
Emma Howarth | ... | costume assistant |
Anna Spencer | ... | costume assistant |
Hannah Walter | ... | costume supervisor |
Location Management
Joshua Benedetti | ... | location scout |
Emma Collinson | ... | assistant location manager |
Rebecca Davis | ... | location scout |
Ben Dawes | ... | location scout |
Richard George | ... | location manager |
Music Department
Matt Biffa | ... | music supervisor |
Peter Juul Kristensen | ... | score mixer |
Nora Mullally | ... | music business/legal services |
Hilary Skewes | ... | musician contractor |
Nick Taylor | ... | score recording engineer |
Roger Linley | ... | musician: double bass (uncredited) |
Hannah Northedge | ... | musical director (uncredited) |
Script and Continuity Department
Sue Hills | ... | script supervisor |
Transportation Department
Darren Beaven | ... | unit driver |
Jimmy Carruthers | ... | driver: cast |
Mark Cutler | ... | minibus driver |
Graeme Main | ... | camera car driver |
Additional Crew
Victoria Bavister | ... | assistant to Pete Czernin |
Nic Benns | ... | main titles: creative director |
Thom Berryman | ... | digital lab supervisor |
Eleanor Boyce | ... | dialect coach |
Elspeth Brodie | ... | dialogue coach |
Anna Burns | ... | development assistant |
Ben Coren | ... | production coordinator |
James Corless | ... | digital production services |
Dan Crandon | ... | construction manager |
Ben Dawes | ... | assistant production coordinator |
Rosanna Eden-Ellis | ... | assistant to producers: Blueprint Pictures |
Melanie Faulkner | ... | sales executive: Pinewood Pictures |
Eve Gabereau | ... | distribution |
Emily Gardner | ... | production coordinator |
Chiara Gelardin | ... | For HanWay Films |
Olivia Grant | ... | base runner |
Harry Greaves | ... | floor runner |
Julia Hillsdon | ... | production executive: Pinewood Studios |
Ruth Hodgson | ... | completion guarantor |
Claudia Kalindjian | ... | unit publicist |
Alexandra Keen | ... | legal and business affairs: Universal Pictures International |
Tom Leggett | ... | development editor: Film4 |
Tom Ludlam | ... | runner/driver |
Emma Mager | ... | completion guarantor |
Richard Mansell | ... | business affairs consultant |
Mark Mccarron | ... | facilities captain |
Matt McNally | ... | epk producer |
Luke Moorcock | ... | digital lab technician |
Nicola Pender | ... | publicist |
Luke Randolph | ... | completion guarantor: for International Film Guarantors |
Jason Rickwood | ... | production assistant |
Jill Rosen | ... | for hanway films |
Tom Rothwell | ... | assistant accountant |
Tom Savage | ... | epk producer |
Jonathan Taylor | ... | post production delivery coordinator |
Gianpiero Vannucci | ... | Key Crowd PA (as JP Vannucci) |
Carlos M. Velez | ... | floor runner |
Susan r Wall | ... | payroll accountant |
David Wilcock | ... | production accountant |
Huma Khan | ... | director legal post production (uncredited) |
Production Companies
- Film4 (presents)
- HanWay Films (presents)
- British Film Institute (BFI) (presents)
- Universal Pictures International (UPI) (in association with)
- Pinewood Pictures (in association with)
- Blueprint Pictures
Distributors
- At Entertainment (2014) (Japan) (theatrical)
- Cai Chang International (2014) (Taiwan) (theatrical)
- Golden Scene (2015) (Hong Kong) (theatrical)
- IFC Films (2015) (United States) (theatrical)
- Lumière (2014) (Netherlands) (theatrical)
- Paramount Pictures (2014) (France) (theatrical)
- Pathé Films (2014) (Switzerland) (theatrical)
- Prokino Filmverleih (2014) (Germany) (theatrical)
- Soda Pictures (2015) (Canada) (theatrical)
- Thimfilm Filmverleih (2014) (Austria) (theatrical)
- Twentieth Century Fox (2014) (Germany) (theatrical)
- Universal Pictures International (UPI) (2014) (United Kingdom) (theatrical)
- Universal Pictures International (UPI) (2014) (Ireland) (theatrical)
- At Entertainment (2014) (Japan)
- BNN-VARA (2018) (Netherlands) (tv) (NPO3)
- EuroVideo (2015) (Germany) (Blu-ray) (through)
- EuroVideo (2015) (Germany) (DVD) (through)
- Film1 (2015) (Netherlands) (tv) (limited)
- Front Row Filmed Entertainment (2015) (Midde East, North Africa and Iran)
- GEM Entertainment (2014) (Non-US)
- Lumière Home Entertainment (2015) (Netherlands) (DVD)
- Madman Entertainment (2014) (Australia) (DVD)
- NOS Audiovisuais (2014) (Portugal)
- Odeon (2014) (Greece) (VHS)
- Prokino Filmverleih (2015) (Germany) (Blu-ray) (through EuroVideo)
- Prokino Filmverleih (2015) (Germany) (DVD) (through EuroVideo)
- Universal Home Entertainment (2015) (United Kingdom) (Blu-ray)
- Universal Home Entertainment (2015) (United Kingdom) (DVD)
Special Effects
Other Companies
- ARRI Lighting Rental (lighting)
- Air-Edel Associates (music services)
- Air-Edel Recording Studios (soundtrack mastered at)
- Audiolink Radio Communications (cell phone rentals)
- Audiolink Radio Communications (walkie talkies)
- British Film Institute (BFI) (funding)
- Cutting Edge Group (music services)
- Film4 (funding)
- Fintage CAM (collection account management)
- HireWorks (Avid Nitris DX rental)
- Momoco (main title sequence)
- Momoco/Maguffin (titles)
- PMA Production (EPK Production Company)
- Pinewood Digital (digital dailies)
- Pinewood Studios (digital production services)
- Procam Take 2 (camera equipment provided by)
- Sapex Scripts (post-production script services)
- Visual Icon (exclusive clip and still licensing)
- Winchester College (Location)
Storyline
Plot Summary |
Alistair and Miles, both with aristocratic connections, start their first year at Oxford University though they are very different, Miles is down to earth and happy to have a girlfriend, Lauren, from a lower background whilst Alistair is a snob with aspirations to follow his uncle, a Tory MP. The common bond is that both become members of the Riot Club, a long established elite drinking club priding itself on hedonism and the belief that money can buy anything. Written by don @ minifie-1, geo |
Plot Keywords | |
Taglines | Filthy. Rich. Spoilt. Rotten. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
Also Known As |
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Official Sites | |
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Filming Locations |
Box Office
Opening Weekend United Kingdom | $808,939, 21 Sep 2014 |
Did You Know?
Trivia | The film was originally a successful play 'Posh' that premiered at the Royal Court Theatre in London in 2010, before transferring to the London West End. See more » |
Goofs | When Charlie comes to the pub she is handed a glass of champagne. With different camera angles the champagne flute turns to a shot glass then back to a champagne flute. See more » |
Movie Connections | Featured in The Riot Club (2014). See more » |
Soundtracks | Scarborough Fair See more » |
Quotes |
[as Alistair is using a cash machine, two muggers walk up close behind him]
Mugger: [pulling out a knife] Don't scream. Don't look at me. Just put in the PIN number, take out 200. Young Hooded Man: Come on, put in the fucking PIN number! Alistair Ryle: [as he waits for machine to give him the money] It's uh, it's actually just "PIN". Mugger: What? Alistair Ryle: The N stands for number, it's Personal Identification Number. So, if you say "PIN Number" you're saying "number" twice. You're saying "Personal Identification Number Number". It's just... it's just wrong. [the second mugger shoves him and he bangs his head against the wall and falls to the ground] Mugger: You think you're fucking clever? Alistair Ryle: Jesus, please! Mugger: Shut it, you posh twat. Pompous little prick. [he spits on him and walks away] See more » |