10 items from 2017
When Quentin Tarantino comes knocking, you answer the door. If that’s not an unspoken rule among Hollywood actors, then it very well should be. Tarantino has given movie history badass female protagonists like The Bride and Jackie Brown and wicked villains like Hans Landa and Calvin Candy. Even his cameos often pack more of a wallop than other director’s leading roles (see Michael Parks in “Kill Bill Vol. 2” and Jonah Hill in “Django Unchained”). All of this is to say the obvious: Tarantino creates unforgettable characters, and it wouldn’t be in your best interest to pass on it.
Tarantino is prepping his ninth feature, and if his earlier claim that he’ll retire after 10 films, this one will be his penultimate movie. Working once again with Bob and Harvey Weinstein, »
- Zack Sharf
The early aughts may have brought a string of questionable fashion statements to the table (remember trucker hats?), but it was chock-full of memorable cinema across a variety of genres.
Both Quentin Tarantino and Christopher Nolan rejuvenated the action genre, giving us endlessly quotable, award-winning films like “Kill Bill” and “The Dark Knight” that are still considered game-changers. Films like “Cloverfield” and “District 9” took us by surprise, while “Children of Men” influenced many of the bleak dystopian Ya films we’ve seen over the past few years.
Read More: 10 Great Films Made for Less Than $1 Million to Stream on Netflix
Some of these films also served as introductions to some of today’s biggest stars. Although he had already done “Freaks and Geeks,” Judd Apatow jumped onto everyone’s radar as the new king of comedy with “The 40-Year-Old Virgin.” “Donnie Darko” became a cult-classic, but no one knew »
- Jamie Righetti
Some filmmakers are notorious control freaks who forbid improvisation on set and want everything to go exactly according to their vision. Quentin Tarantino is one of those filmmakers.
During a stop at The Howard Stern Show this month to promote his new Fox game show “Beat Shazam,” Jamie Foxx reminisced on just how controlling Tarantino could be by quoting one of his moments on the set of “Django Unchained.”
Read More: The ‘Django Unchained’ Cheat Sheet: 10 Things That Will Help You Understand Tarantino’s Referential Bloodfest
Tarantino, who Foxx lovingly refers to as a “tyrant” on set, did not like the way the actor was interpreting Django. Instead of playing a long-suffering slave at the beginning of the movie, Foxx was leaning into the character’s coolness, much to the disapproval of Tarantino. Let’s just say the director made sure Foxx got the message.
According to Foxx’s spot-on impersonation, »
- Zack Sharf
18 years after hitting theaters, The Matrix is still an indelible part of pop culture. The franchise made headlines yet again last month with news that Warner Bros. has hired writer Zak Penn to write a new Matrix movie. Rumors then surfaced that Michael B. Jordan is wanted as a young Morpheus in a prequel. What some fans may not realize is that Will Smith had originally been offered the role of Neo, but turned it down, opting instead to star in The Wild Wild West. This paved the way for Keanu Reeves to land the iconic role, which he reprised in the sequels The Matrix Reloaded and The Matrix Revolutions. Now, an inventive fan took it upon himself to cut together a trailer that shows what it may have looked like if Will Smith had played Neo.
A YouTube and Reddit user dubbed The Unusual Suspect debuted this fan trailer on social media, »
Craig Lines Apr 5, 2017
Marvel? DC? They have their moments, but how about Shogun Assassin, and in turn, the Lone Wolf & Cub movies?
Like most western viewers, I came to the Lone Wolf & Cub series via Shogun Assassin – a recut/mash-up of the first two movies, trimmed to 90 minutes and dubbed into English by a pair of enterprising Andy Warhol acolytes. It was one of the original 'video nasties' in the UK, banned for years, so highly desirable to a kid like me. And it didn’t disappoint. In fact, it was probably the goriest movie on the list.
While it may seem criminal now to butcher a pair of bona fide Japanese classics and completely change their meaning and tone, Shogun Assassin got away with it by being so vibrant and hyperactive. The inappropriate score is a joyful synthesiser meltdown and the spirited dub goes full-pelt, even if what they »
Quentin Tarantino’s films are famous for their non-linear narratives, for how they jump around in time like a skipping DVD, sometimes even willing their ways into alternate histories. And yet, despite all of their twisty plotting, his movies are increasingly defined by — and remembered for — self-contained scenes that stretch to the breaking point and seem to become iconic even as you’re first watching them. From the ingeniously knotted “Pulp Fiction” to the bifurcated “Death Proof”; from the sprawling “Kill Bill” (which is divided into 10 discrete chapters), to the snowbound “The Hateful Eight” (which limits itself to two locations and finds Tarantino challenging himself to hold a single note of suspense for hours at a time), these epic stories are shaped around chatty, taut, and indelible sequences that simmer with the potential for sudden acts of violence.
In honor of the filmmaker’s 54th birthday (and with a humble »
- David Ehrlich
Welcome to the University of Qt.
Without question or the slightest hint of a doubt, I feel wholly comfortable saying that there are more video essays, compilations, montages, and supercuts dedicated to the work of Quentin Tarantino than any other director out there. He has been an object of fascination bordering obsession from the first scene of Reservoir Dogs, and with each new film he releases, the fervor surrounding his mythos only increases. Largely this is due to Qt himself, who’s as good a hype-man as he is a filmmaker, but that’s just one more reason we love him: confidence. Qt knows he’s the shit and he’d be the first person to tell you that if the rest of us would ever shut up about it.
Bottom line, not since perhaps Kubrick has the totality of a director’s career been held in such high regard, nor »
- H. Perry Horton
In Woody Allen’s “Sweet and Lowdown,” Sean Penn boasts, “I’m considered the best guitar player maybe that ever lived, certainly in this country. There’s this gypsy in France, and he’s the most beautiful thing I ever heard.” The only guitarist superior to Penn’s fictional Emmet Ray? Django Reinhardt, a Belgian-born hot-jazz strummer whose talent saved him during World War II.
As a historical-fiction account of this wartime chapter in the jazz legend’s life, “Django” delivers a showcase role for gifted actor Reda Kateb, who’s had small parts in “A Prophet” and “Zero Dark Thirty,” but is otherwise rarely seen outside of France. It also marks a rather poignant choice to open the 2017 Berlinale, since the film — while not an especially compelling or well-told biopic unto itself — shines much-needed attention on the plight of the Roma people at the hands of German (and French) officials. »
- Peter Debruge
Whether it’s the golden era of spaghetti westerns or the more blood soaked appeal of the Tarantino films, there’s no denying that Hollywood loves the appeal of the old west. From books, to video games, and even casino slots, the world loves a good western. We take a look at some of the greatest films in history!
Butch Cassidy & The Sundance Kid
Without a doubt, one of the most popular westerns in cinematic history, Butch Cassidy and the Sundance Kid was released in 1969. Directed by George Roy Hill and written by William Goldman the film is loosely based on a true story. It tells the story of the outlaws Robert LeRoy Parker, known as Butch Cassidy and his partner Harry Longabaugh, the Sundance Kid, who are on the run after a string of train robberies. The pair, along with Longabaugh ‘s lover Etta Place flee to Bolivia in »
- The Hollywood News
“Lion” received nods for best picture along with supporting actor for Dev Patel, supporting actress for Nicole Kidman, adapted screenplay for Luke Davies, cinematography for Greig Fraser, and score for Dustin O’Halloran and Hauschka.
The movie is based on the book “A Long Way Home” by Saroo Brierley with Larry Buttrose, telling the story of Brierly’s life from his losing contact with his family in India at the age of five, being adopted by an Australian family, and reuniting with his Indian family more than two decades later.
Oscar Nominations: Complete List
- Dave McNary
10 items from 2017
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