The story of Vivian Maier a nanny in 60-70's New York and Chicago who, unbeknownst to many, had a secret passion for photography. Her incredible body of work, only discovered after her ... See full summary »
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Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we've had no idea who these singers are or what lives they lead, until now.
Real estate agent John Maloof explains how a trip to a local auction house, in search for old pictures to use for a history book about his neighborhood, resulted in him bidding and winning a box full of old negatives. John goes through the massive quantity of negatives, describes how impressed he is by the quality of the images, becomes quickly determined they are not reverent to his project and just puts them away. That could have very likely had been the end of the story, if the power of the images had not pushed him to fall in love with photography. John confides that his photo hobby quickly motivated him to set up a darkroom and devote large amounts of time shooting. As he learned more about photography, he recognized that those negatives he had bought, then stored, were the work of a real master. In an attempt to confirm his suspicion, he selected about 100 images and put them online with the hope that the feedback would confirm his judgement as to the strength of the images. Written by
Lane J. Lubell of Cinemashadow.com
Wonderful documentary with two main interwoven stories.
I saw Finding Vivian Maier last night and thought that the movie was very interesting and riveting. I've been following the story of Vivian Maier's photography ever since the story first appeared on PBS-WTTW, Chicago. At first pass, the story was lacking in general information about her, but the many 1950s/1960s street photos of Chicago (mostly) and New York City were wonderful. The photos, I think it's fair to say, took the international photo art world by storm.
After she died, the bulk of her photos and negatives were bought by John Maloof, a co-director of the movie. Vivian Maier's personal and photographic story, along with John Maloof's story relative to purchasing the photos and fleshing out information on Ms Maier are the subject of the movie and the two interwoven stories are most interesting.
Interviews of those that knew her or her work are in the movie, many of her photos are shown, as are shows of her photos.
I, like the previous reviewer, would like to see the movie again. If it comes out in CD or similar form, I'd be a buyer.
20 of 23 people found this review helpful.
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