Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
1945, in World War II Germany, the tough Sergeant Don 'Wardaddy' Collier commands a tank and survives a German attack with his veteran crew composed of Boyd 'Bible' Swan, Trini 'Gordo' Garcia and Grady 'Coon-Ass' Travis. He receives a rookie soldier Norman Ellison as the substitute for his deceased gunner and he tries to harden the youth along the way. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Wardaddy's veteran tankers wear the Combat Winter Uniform Jacket, aka "The Tanker Jacket", as part of their uniform. This would have been the original-issue uniform. Norman wears the newer M1943 Field Jacket, distinguishable by its many large pockets and greener color. The choice of uniform would have reflected on the status of the men; veterans would wear older uniforms while replacements would have newer ones. See more »
The tracks on Fury weigh more than two tons each. The crew would've known it was futile to try to fix a badly-broken track, with hand tools, in the middle of nowhere. Fury's extra tread links are from the earlier-model Shermans, with completely different tracks. Tankers didn't generally carry the extra track plates to fix broken tracks; they were usually welded on as an extra layer of armor. See more »
Fury is a straightforward ride into the center of war. It's a less flamboyant, certainly not romanticized, but a damn fine one.
Strikingly far from mainstream war movie, Fury is unapologetically messy and brutal. The crude nature affects more than the visual, with the cast uttering unrefined profanity along with some military jargon. While the cinematography is splendid, it's nothing near the glossy or cinematic flair of other war movies, such as Saving Private Ryan, this is am unfiltered portrayal of war. It goes out of its way to display the gritty, sometimes intentionally overlooked aspect of war, the entire dirty ugliness of it.
Brad Pitt as Wardaddy provides a solid leader persona. He's as consistent as he could be, and with the experience of war movie under his other belt, albeit a rather different one, it comes as no surprise that he performs amazingly. It's not a macho leader character as Wardaddy occasionally has doubt, mostly heavily suppressed. Shia LaBeouf as Bible is good, displaying better on-screen flair than most of his recent ones. Michael Peña as Gordo and Jon Bernthal as Coon-Ass (classy name) round up the crew.
Peña works well, delivering a couple of good scene when least expected. Bernthal from Walking Dead has a certain niche, as an ally who sometimes looks like about to snap. Perhaps the highlight of Fury is Logan Lerman as Norman, the newly recruited crew. He's suddenly thrust into battle at its bloodiest. He gradually trades his innocence with experience of the horrid war out of necessity. Screenplay and dialogues are great, using direct, occasionally rude approach. The characters sound and act like soldiers, and it's not the usual presentable ones for cinema screen.
What gives it more depth is how it's rooted on military. From inside of the tank or down time between skirmishes, every bit seems realistic. The strategy is sound, thus giving more weight to action sequences. This one is not for the fainthearted however, as limbs will fly or get chopped off clean. The movies doesn't dwell on particular gore for shock purpose, it simply brushes fatal graphic and burning bodies as if they are normal occurrences. Soundtracks are effective as well. While most tunes are subtle or orchestra for tense scenes, a few hymns, as if chanted by the soldiers themselves, are eerily moving.
If there' are some minor complains of the movie, it's that the plot progresses in predictable way and the action in darker scenes are murky. Fury is a straightforward ride into the center of war. It's a less flamboyant, certainly not romanticized, but a damn fine one.
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