A girl on a cruise with her family, falls in love with the ship's lieutenant and has to make a dramatic decision when they reach Istanbul, in the end. A boy, secretly in love with his best ... See full summary »
Anna, a young art historian is preparing a retrospective of the work of the famous painter, Maria Dimou. She is assisted by Angelos, an old friend of the painter. Dimou was found dead ... See full summary »
Harris, a 16 year old boy spends his day skateboarding aimlessly around Athens with his friends. Vassilis, a middle aged cop, is frustrated with his dead-end job and crammed in his small apartment with his family.
Stella is a beautiful young girl who dreams of becoming one day a famous singer. Her boyfriend Andreas leads a quiet life working at his small store, and doesn't approve Stella's quest for ... See full summary »
Eva, a young woman and a student of classical singing, decides to meet her father, who is unaware of her existence. Thomas works as a guard in a truck lot. He lives in a container and aspires to nothing.
So Nikos Panagiotopoulos is one of the most important Greek directors from the 80s and has offered Greek cinema very important films. "Afti i nyhta menei" for example is an extremely poignant portret of the modern Greek society in a way that includes both criticism and understanding. True to his off-beat style that came before the weird wave of Greek cinema (Lanthimos, Tsaggari, Makridis), he delivers since the 80s almost a movie per year not always meeting his own standards.
This is clearly the case with "Limouzina". But this time not only doesn't he meet his standards but goes further into delivering a series of uneventful rant as a movie. I couldn't be more disappointed by every aspect of this film. Every scene feels like it's randomly shot so the angles never make sense in way similar to a very first student film. Camera movement is full of obvious mistakes and corrections and the performances appear to be rushed, so you get the impression that the film was created offhand.
But the fact that it is poorly shot is not the worst part of it. The worst part is the pretentious dialog that exists instead of a plot. Every banal idea about Greeks goes through the film like it's witty philosophy. References to famous writers are completely shallow, but still the only mode of content.
So watching this film knowing who Panagiotopoulos is and what he can do (also technically, but mostly conceptually) becomes a great disappointment.
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