Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.
Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost.
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts tournament - a path that puts the fighter on a collision course with his estranged, older brother.
Leaving the construction site on the eve of a major project, construction manager Ivan Locke receives news that sends him driving the two hours from Birmingham to London, but even further from the life he once knew. Making the decision that he has to make, he then calls his wife, his sons, his co-workers and boss telling them the secret that he is bearing and trying to keep his job and family intact. But even more importantly, he will have to face himself and the choices he has made. Written by
To spice things up and keep Tom Hardy on his toes, director Steven Knight would tell new things to the actors on the phone to incorporate while shooting the scenes. For example, for some takes he told Ruth Wilson, who plays Katrina Locke, to play her character like she wanted to kick Ivan from the house for a while and now she finally had the opportunity. See more »
(at around 46 mins) When Ivan is searching for a caller in his address book you can see on the gearstick, that the car he is meant to be driving is in Park. See more »
It was once.
And the difference between never and once is the whole world. The difference between never and once is the difference between good and bad.
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I went to see the movie because the review of the movie said that it would change what you thought about film making. This would be true if you've never seen a movie before, but that is not the case.
Not to say that the movie is not good. It acts as a sort of one man play starring Tom Hardy as Ivan Locke, a man who made a mistake in his past that threatens to unwrap his perfect life when he tries to do the right thing. The movie totally relies on the actor playing the role and Tom steps up to the challenge nicely.
But I've seen this kind of one man play with Buried starring Ryan Reynolds and Brake starring Stephen Dorff. I can even mention other movies like 127hours or Phone booth that have a similar concept.
What makes Locke different is that the pressure of life and death is not there. In those movies the leading (and only) men were threaten with the proposal of death, While in this movie, Ivan Locke's way of Life is threaten with change, and it's this change in the concept that made the movie Quiet and low key, but the filmmakers were still able to make if fast pasted and kinetic (having it take place in a Car going down the highway helps).
The movie had the same pressure of a ticking clock about to explode and the lead character attempting to talk himself out of the situation, but the filmmaker does not force the tension or thrills on you. Ivan Locke's situation is very down to earth and every day to day. Watching him attempt to deal with this situation could have come off boring after a half hour if not for Tom Hardy showing his mental acting chops (versus how physically intimidating he seemed as Bane in Dark Knight Rises, he's a small man in real life).
Though the movie was good to watch I could have gotten the same effect streaming it at home on Netflix. Recommend you do the same.
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