Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.
Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost.
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts tournament - a path that puts the fighter on a collision course with his estranged, older brother.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged-out rock 'n' roller presumed to be dead but very much alive -- has a multi-million-dollar prize fall into... See full summary »
Leaving the construction site on the eve of a major project, construction manager Ivan Locke receives news that sends him driving the two hours from Birmingham to London, but even further from the life he once knew. Making the decision that he has to make, he then calls his wife, his sons, his co-workers and boss telling them the secret that he is bearing and trying to keep his job and family intact. But even more importantly, he will have to face himself and the choices he has made. Written by
During Ivan's drive to London there were 36 phone calls. 13 outgoing, 21 incoming, 1 ignored call and 1 went to voice mail. At least half the calls ended with Ivan being hung up on or Ivan hanging up on the caller. See more »
Locke talks about 350 metric tonnes of concrete as being the largest concrete pour in Europe ever (apart from nuclear and military facilities). Concrete is calculated by volume. 350 tonnes is about 160 cubic metres - basically about enough to fill a room that is 9 metres long x 9 metres wide x 2 metres deep. The price of this concrete would be somewhere in the region of £10,000 at 2014 prices. Many projects exist where over 3,000 cubic metres has been poured in a day (about 6,600 tonnes), so 350 tonnes isn't something a decent sized company would get too excited about, and you could probably complete it in 3-4 hours with just one concrete pump. See more »
I could have easily let the concrete go to hell, but I didn't. You know, dad, when you came creeping back saying you were sorry, it was even worse than staying away. Yes, I'm serious! I could have broken your fucking back for that, but I didn't, and the fact that I could have done it was worse than anything. Because you were so fucking weak! That was the first thing I noticed. So weak. All the things I fucking despise inside one fucking stupid green shirt. You look pathetic. My fucking dad. And...
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Unique Cinema. Tom Hardy gives a fantastic performance.
Apart from about 20 seconds at the start, the entire film is shot in the confined space of a BMW drivers seat. There is only one physical actor & about 4 different camera shots. Tom Hardy plays Ivan Locke, he lives a successful life in Construction & is a dedicated family man. He is calm and collected and gives the impression that he is a man all about control. In the time it takes him to drive from Birmingham to London, his whole life changes, and you get to see how and why through various telephone calls on Bluetooth loudspeaker.
Tom Hardy gives a very convincing performance and shows everybody that he is not a one trick pony and he can adapt well to different roles and scenarios. With Tom Hardy being the only star of this movie he really needed to bring a powerful performance that the audience can connect to, and he did this successfully in my opinion. The director stated that he wanted to make something completely different and fresh for mainstream cinema, there are other films out similar to this but the ones I have seen don't match up to Locke. This does feel unique and I can appreciate how making a film of this style must be challenging to make it entertaining and keep its viewers hooked. The run time is about right and at just over 80 minutes it's relatively short but I think this helps.
This movie is slow paced, its one man talking on the phone for 80 minutes, so if this doesn't sound like something for you then avoid! I personally found it tense and gripping. The film didn't head in the direction I thought it would but this isn't a bad thing. It has its own unique feel and this is always something I welcome in a world of cinema that is so saturated with clichés and over told stories!
When the credits rolled it did leave me thinking about the movie and had me thinking it over in my head. It actually made me feel quite emotional, this is all down to Tom Hardy and his performance. It is hard to say anything else about this movie without giving key plot points away!
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