Marc has done an excellent job seamlessly editing these three thriller shorts. I wanted to see more of each one, yet in their simplicity, the magic dwelled. The title short, The Cupboard, leaves the viewer with the kinds of questions that creates the perfect level of tension. What or who was in charge of that camera and what were they looking for? In Dracula, the interplay between the poetry of the narrated screenplay and the camera work was perfect. Locked In reminded me of a lot of those quiet nights when my imagination takes control and sounds drive my thoughts. Like in Dracula, the poetry was weaved beautifully with the scene cuts. I especially liked it when the window suddenly slammed shut. Nice job Marc!
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