Paranoia forces small-time scam artist Marty to flee his hometown and hide out in a dangerous Detroit. With nothing but a pocket full of bogus checks, his Power Glove, and a bad temper, the horror metal slacker lashes out.
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Harley loves Ilya. He gives her life purpose and sets her passion ablaze. So, when he asks her to prove her love by slitting her wrists, she obliges with only mild hesitation, perhaps because of her other all-consuming love: heroin.
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Alex Ross Perry
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Henry and Fay's son Ned sets out to find and kill his father for destroying his mother's life. But his aims are frustrated by the troublesome Susan, whose connection to Henry predates even his arrival in the lives of the Grim family.
Bored office employee Marty, is out to cheat the system. One day he decides to make his escape by swiping dozens of undeliverable refund checks from his company. From here, his small-time scams manifest into paranoia and violence. Written by
The spaghetti scene was filmed in one take. The script did not call for a long shot, but director Joel Potrykus simply stood by, watching in awe, as actor Joshua Burge shoved more and more into his mouth. See more »
"I may live badly, but at least I don't have to *work* to do it." Hitchhiker from Richard Linklater's Slacker.
The slacker, Marty (Joshua Burg), in his titular reference, Buzzard, is more socially disaffected than Napoleon Dynamite and scarier in a covert sense than Freddie Krueger. In all, this comedy drama is a witty allegory about teen anomie and an indictment of a society that constructs barriers through bureaucratic indifference.
Marty is a small time scam artist, mostly stealing checks from his temp work at a bank to trading in discarded McDonald's sandwiches from the garbage for fresh ones. All the while this metal meat head has a poster of Freddie and a glove with knives for digits. You guessed it: If director Joel Potrykus places the glove in a shot early on, chances are we'll see it later on in a far less sedentary shot.
Yet meanwhile, Marty is pulling little cons with motel room access and check kiting and generally avoiding the law. He is alternately lovable in his counterculture way and menacing when faced with authority he doesn't respect. Through most of the film, Marty is an amusing though disreputable slacker, a temp worker ripping off the bank he works for and a buddy only temporarily engaged while he thinks of his next low-level crime.
"Buzzard" should get the year's prize for the most accurate title in film. Marty feeds off the carrion of society while he literally does so in his McDonald's larcenies. Until the climax, he evades the authorities, who must by now be up to his game. Without focusing on his criminal activities, an inference could be drawn that society needs to be vigilant and proactive to help these Napoleons have meaningful lives. Otherwise, Freddie has spawned a most lethal buzzard.
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