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Love Is Strange (2014)

R  |   |  Drama  |  12 November 2014 (France)
6.8
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Ratings: 6.8/10 from 6,076 users   Metascore: 82/100
Reviews: 53 user | 161 critic | 42 from Metacritic.com

After Ben and George get married, George is fired from his teaching post, forcing them to stay with friends separately while they sell their place and look for cheaper housing -- a situation that weighs heavily on all involved.

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Cast

Cast overview, first billed only:
...
Ben
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Tatyana Zbirovskaya ...
Zlata
...
Eugenia
...
Officiant
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Elliot (as Darren Burrows)
...
...
...
Honey (as Harriet Harris)
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Ted
...
Roberto
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Mindy
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Father Raymond
Eric Tabach ...
Vlad
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Doreen
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Storyline

After nearly four decades together, Ben (John Lithgow) and George (Alfred Molina) finally tie the knot in an idyllic wedding ceremony in lower Manhattan. But when George loses his job soon after, the couple must sell their apartment and - victims of the relentless New York City real estate market - temporarily live apart until they can find an affordable new home. While George moves in with two cops (Cheyenne Jackson and Manny Perez) who live down stairs, Ben lands in Brooklyn with his nephew (Darren Burrows), his wife (Marisa Tomei), and their temperamental teenage son (Charlie Tahan), with whom Ben shares a bunk bed. While struggling with the pain of separation, Ben and George are further challenged by the intergenerational tensions and capricious family dynamics of their new living arrangements. Written by Sony Pictures Classics

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »
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Details

Official Sites:

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Country:

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Language:

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Release Date:

12 November 2014 (France)  »

Also Known As:

El amor es extraño  »

Filming Locations:


Box Office

Opening Weekend:

$117,276 (USA) (22 August 2014)

Gross:

$2,252,580 (USA) (7 November 2014)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Ben's (John Lithgow) paintings were crafted by painter Boris Torres, who is also director Ira Sachs' husband. See more »

Goofs

In a scene where Ben, Kate, Elliot and Joey are eating pasta, Ben has a cut above his right eye. When they switch back to Ben, there is a band-aid on the cut, and he had not left the table at all. See more »

Quotes

[first lines]
Ben: My glasses. I can't find my glasses.
See more »


Soundtracks

Piano Sonata No. 28
Written by Ludwig van Beethoven
Performed by Idil Biret
Courtesy of Naxos of America, Inc.
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User Reviews

 
A film about gay love and marriage in NYC and the complications affecting many lives that ensue after the wedding.
26 April 2014 | by (NYC and Keyport, NJ) – See all my reviews

LOVE IS STRANGE, a film, unaffectedly directed by Ira Sachs, is so natural and unassuming in its portrayal of relationships that the divide between audience and the characters on the screen disappears; we are directly slipping into their lives with the ease of familiarity. There is a formal beauty to the movie, thanks to the cinematography of Christos Voudouris - the way he captures each space - delineated not only through décor, but through the light which mutates with the atmosphere, very much like a Chardin still-life painting, classic in its grandeur and silence.

The plot revolves around two gay men who have lived together for 39 years and finally get married, a decision that will alter their lives in ways that are unexpected and transforming. We first meet Ben, a seventy-one year old artist, (John Lithgow in a breathtaking performance) and his partner George (Alfred Molina in an equally fine portrayal,) a music teacher in a Catholic school - both excitedly, and nervously preparing for the ceremony and the post- wedding party. From the moment we first view Lithgow and Molina singing a duet together - their voices and theatrics in synch and at odds - tender intimacy is apparent. Ira Sachs and co-writer Mauricio Zacharias have created two remarkably gentle and loving individuals, their intimacy and enduring connection, is both understated and powerfully passionate.

The consequences of ultimately legitimizing their union bear witness to the harsh realities that accompany that choice. Soon after the nuptials, George gets fired from his job, and the economic demands of existing in NYC, forced to sell the apartment in order to find more affordable housing, interrupts their former cadence of living. Having no alternative, George and Ben, temporarily separate to move in with friends and relatives till they can find a home of their own. Molina and Lithgow stunningly convey the anguish of living apart and the intense longing of being united again. It is as if one person is sliced in half – going through the motions, but not fully functioning without the other.

LOVE IS STRANGE also references the mysterious corridor of generational diversity - both fractious and enriching. The anxious, rebellious teenager slowly embracing life's uncertainties embodied by Joey, Ben's great-nephew in an excellent performance by Charlie Tahan who is likable, secretive and obnoxious – an eternal artifact of an adolescent's growing awareness of life's promises and aching discomforts. And approaching mid-life, are his parents - Kate (Marisa Tomei - a natural wonder) - a writer trying to meet the demands of motherhood and still do her own work and Elliot (Darren E. Burrows) a father too wrapped up in doing business (supporting the family?) to notice the splintering family dynamic. Tomei's facial expressions convey a woman's inner tug-of-war between being a caregiver and accomplishing her own ambitions, shifting from haggardly frustrated to a luminous empathy, particularly for the growing pains of her son on the cusp of adulthood.

Director Ira Sachs has given us a tone poem to the beauty, delight and fragility of living in a city - New York - dynamic, diverse and constantly changing, echoing the vicissitudes of life as we stumble through our own personal unfolding. A love story that has depth and endurance - delicate and supple, both romantic and mundane, LOVE IS STRANGE is wrenchingly lovely and generous, but also a reminder that nothing is permanent.


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