Arthur Bishop thought he had put his murderous past behind him when his most formidable foe kidnaps the love of his life. Now he is forced to travel the globe to complete three impossible assassinations, and do what he does best, make them look like accidents.
Tommy Lee Jones
Tells the story of Jesus Christ at age seven as he and his family depart Egypt to return home to Nazareth. Told from his childhood perspective, it follows young Jesus as he grows into his religious identity.
The opening sets the date as "33 A.D.", but the grammatically correct way to date years after the birth of Jesus is A.D. 33 ("Anno Domini 33"). Only B.C., or the more contemporary BCE, are listed after the year. See more »
Hate, anger, fear. Those are all lies they use to turn you against each other. When you set aside the hate they force you to carry, that's when you know love is our true nature.
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The end credits for the director, producer and department heads are animated to look like they fly across the race track, kicking up dust as if they were horse-drawn chariots. See more »
Hollywood remakes. For every Ocean's 11, there's 10 Willy Wonkas. So here we are saddled with another previously untouchable classic getting a slickly made, soulless studio remake. But is it fair to judge it just because it's a remake? Or does it succeed on its own merits?
I love the William Wyler '59 original classic, and watch it often. The quoteable lines are brilliant. "Your eyes are full of hate, 41. That's good. Hate keeps a man alive". Charlton Heston is great as Ben Hur. And that chariot race is one of the greatest action spectacles ever put on the silver screen.
I just can't envisage myself re- watching this. The effects are impressive, but any tosspot on a computer can conjure up digitally creative wowzers, so that is no selling point. And the action is predictably impressive, but it's so stagnant, slick and with no standout unforgettable moment. Jack Huston brings nothing new to the role of Ben- Hur, and Morgan Freeman clearly has a new flat screen TV to pay for, so he shows up to phone it in.
For the past 16 years we've seen sword & sandal epics go from fun genre revival (Gladiator) to moribund cliché (Hercules, 300 Rise of the Empire). In fact Rodrigo Santoro (Xerxes from 300) shows up as Jesus Christ this time. From Persian tyrant to Jewish prophet, now that's an improvement.
I left the cinema knowing that I'll forget about this in 3 weeks. Remakes can improve on the original (The Fly, The Thing, the '59 Ben-Hur is itself a remake of an early silent B&W version). But you risk falling into trap of being so slavishly loyal to the original that to redo the film becomes pointless (Pyscho).
I can't recommend paying full cinema price. Stay at home and watch the '59 original. On the small screen, Chuck Heston commands a stronger presence than anyone in this large screen bore.
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