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I'm Still Here (I) (2013)

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Suffering from a terminal illness, a young loner makes plans for the little time he has left while coping with the five stages of death: denial, anger, bargaining, depression and acceptance.



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Suffering from a terminal illness, a young loner makes plans for the little time he has left while coping with the five stages of death: denial, anger, bargaining, depression and acceptance.

Plot Summary | Add Synopsis


Make every second count See more »



Official Sites:



Release Date:

1 September 2013 (UK)  »

Filming Locations:


Box Office


£5,000 (estimated)

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Did You Know?


Years before making this film, Linzi Stivey (second assistant director) taught Chelsea Matin (first assistant director) Film and Media while she studied at College. See more »


The sound recording equipment can be seen on the reception desk as Matt finds out nobody's by the desk. See more »


Matthew Grey: When I look at you, I see my dad. And when I look at Soph, I see my mum. And they fought like cats and dogs until they got a divorce too. And now my mum's shacked up with some bloke and my dad... well, he's still alone. They never talked about their problems, they always took the easy route out. Look, there had to be a moment where you and Soph loved each other. It could be when you were dating, honeymoon whatever I don't give a shit. All I know is, is that you owe it to yourself, to Soph, you ...
See more »

Crazy Credits

The film title appears in a sequence of cells and circuitry. See more »


References Lincoln (2012) See more »


Shouldn't Be In Love
Written by Mark Harvey
Performed by National Image
See more »

Frequently Asked Questions

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User Reviews

Quietly affecting drama of emotional truth
4 June 2014 | by (United Kingdom) – See all my reviews

Having lived through a family experience of terminal illness, I was not looking forward to watching this film. Fiction often seems trite and forced when you've actually dealt with the reality, particularly a devastating one. However, 'I'm Still Here' (2013) neatly sidesteps all the tiresome 'Hollywood' grandstanding that is synonymous with the subject matter and delivers instead a truthful and telling depiction of the struggles of Matt, a young man struck down by a lingering and potentially fatal disease.

The strength and authenticity of the film lies in its grounded approach; a willingness to embrace the mundane and common place aspects of the situation. There are no silly 'bucket list' activities; just regular trips to the hospital, awkward 'self-help' group sessions and a few snatched moments of happiness as the clock begins running out. In less adroit hands, this could all have been a little on the dull side but writer-director Kris Smith and a largely unknown cast pull the audience in slowly but surely and, by the climax, you are fully invested in both story and characters.

It always seems a little unfair to single out individual performances from a fine ensemble but it's very hard not to highlight a few. Obviously, a lot of the heavy lifting falls to Dan Burman as Matt and he proves more than capable of shouldering the responsibility. Interactions with his family are painfully convincing and, although the psychology of a broken home leading to emotional detachment is hardly new territory, Burman really nails it, never mining a scene for audience sympathy or making his emotional journey too great to strain credibility. Joanna Pope is also note perfect as his fussy mother and Jack Beresford scores in an all too-brief appearance as younger brother, Rob. Elsewhere, Lucy Collins is truly outstanding as a charismatic hospital patient (we'd be talking awards if this was Hollywood) and Marie Wilson inhabits the character of the downtrodden woman next door with an authenticity that informs her every gesture and expression. The music soundtrack is excellent and, just as importantly, is used very judiciously. The design of the title sequence is also extremely impressive.

But it's the naturalistic writing and atmosphere that allows story and cast the room to really breathe and fuels the subtleties of this quietly affecting drama. Particularly notable is the way that Matt finds a kind of closure; not through tearful reconciliations with his estranged family as you might expect but through his kindness to strangers. This involves the warring couple next door, who he has only previously known by hearing their arguments coming through the wall (a brilliant touch). Also assisting is a non-linear structure, which allows for some telling moments without compromising the coherence of the story. There are a few rough edges and the final act may seem a superfluous addition to some but still packs a heavy emotional punch. A vibrant and very moving piece of cinema that never descends into easy sentiment and remains a very positive and life- affirming experience, despite the theme.

15 of 15 people found this review helpful.  Was this review helpful to you?

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What was Matt's rare blood disease? patrick-conrad-30-474818
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Quite raunchy for a cancer film ellie-rashid
Why did Matt keep his illness a secret? lucas-keegan
Are there any other films similar to this? denise_hutson
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