In the beautiful, otherworldly Carpathian Mountains a woman is traveling with a small boy in a horse and cart, looking to punish those who once abused her. For years, Katalin has been ... See full summary »
For nineteen-year-old Jay, Autumn should be about school, boys and week-ends out at the lake. But after a seemingly innocent sexual encounter, she finds herself plagued by strange visions ... See full summary »
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After Ben and George get married, George is fired from his teaching post, forcing them to stay with friends separately while they sell their place and look for cheaper housing -- a situation that weighs heavily on all involved.
Describing this film as exploring the sado-masochistic relationship of two lesbian entomologists in Eastern Europe almost makes it sound like a parody of an art-film, and film critics are going to be falling over themselves to show off how many influences they can recognise. It's not too heavy though; the only time it was too blatant was when Strickland recreates Brakhage's Mothlight. A lot of the time it does feel like Strickland is winking at the audience, though he saves the most obvious gags for the credits, often feeling like he's pastiching lesbian fetishism and 70s arcadian European films. On the one hand this is a strength of the film in that it lightens the mood and entertains, but I do feel as though it stopped the film from entirely drawing me in. The core of the film that examines the relationship is romantic, sweet and moving: about growing old and the demands lovers put on each other in a relationship. For a film about S&M it was a lot less explicit than I thought it would be: there's no nudity and the sex is all obscured or off-screen. The metaphorical parallels were less successful: the moths and entomology never truly feel like a successful metaphor or that they sufficiently enhance the story to justify the attention paid to them. It is an interesting and beautiful film and well worth your time.
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