6.4/10
256
3 user 6 critic

Du Bunui Gyulhonsikgwa Han Bunui Jangryesik (2012)

To keep their sexual orientation a secret, a gay man and a lesbian woman gets married. Now they have to juggle their identities to fool parents and co-workers, all while trying to find real love.

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(as Jho Gwang-soo Kim)
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Cast

Credited cast:
Dong Yoon Kim ...
Min-soo
Hyeon-kyeong Ryu ...
Hyo-jin
Rest of cast listed alphabetically:
Seung-do Han
Ae-Yeon Jeong ...
Seo-yeong
Song Yong Jin ...
Suk
Seung-joon Lee
Jung-pyo Park ...
Tina
Su-young Park
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Storyline

To keep their sexual orientation a secret, a gay man and a lesbian woman gets married. Now they have to juggle their identities to fool parents and co-workers, all while trying to find real love.

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

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Release Date:

21 June 2012 (South Korea)  »

Also Known As:

Two Weddings and a Funeral  »

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User Reviews

 
coming-out dramedy
29 September 2014 | by (China) – See all my reviews

A latest South Korean comedy (not exclusively since the title is overtly giving away that a funeral is looming around) about a bogus marriage between a gay boy and a lesbian girl, with motley sidekick groups of family members and an utterly effeminate bunch of queers.

Squeezing by the contemporary social prejudice, the film conventionally put its weight on the male side: the pressure of coming out; the escapism of relocating in another place far away from family and compatriots; the humiliation, embarrassment induced to the family after outing, and the perpetual contention of the dilemma between outing and covering up. With an asymmetrical angle. being a lesbian might omit much of the said drama as long as one has a tough nerve.

Coming out is never an easy piece of cake, particularly in the Asian environment, that's why the boldness of the team is commendable, although the attempt to carry on both the comedic ingredient and the melodramatic tragedy into a balanced comfort zone has never been effectively consummated, as times, the film has fallen into a self-consciously awkward anticlimax which may be engendered by an uneven cast (the leading male Dong-yun Kim occasionally is paper-thin in manifesting a sympathizing performance when the film needs it; while against all odds, a sissy but hearty Jeongpyo Park is the saving grace from the cast) and a tedious procedure of predictability of the anticipated story-going.

Unquestionably the film has utilized all the possible set pieces (whether to spark laughter or tear) to embellish the ultra starry-eyed fairytale, the discussion at the funeral is thoroughly rib- ticking and off-the-wall, but the final product is too TV-series-ish to be perceive as a sincere crowd-pleaser, as least not on a large scale.


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