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Alice Through the Looking Glass (2016)

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Alice returns to the whimsical world of Wonderland and travels back in time to help the Mad Hatter.

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(screenplay), (books)
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1 win & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Zanik Hightopp
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Dr. Addison Bennet
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King Oleron
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James Harcourt
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Absolem (voice)
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Bayard (voice)
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Storyline

Alice returns to the magical world of Underland, only to find the Hatter in a horrible state. With the help of her friends, Alice must travel through time to save the Mad Hatter and Underland's fate from the evil clutches of the Red Queen and a clock like creature, known as Time. Written by Ghostface

Plot Summary | Plot Synopsis

Taglines:

This spring, it's time for a little madness.


Motion Picture Rating (MPAA)

Rated PG for fantasy action/peril and some language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

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Language:

Release Date:

27 May 2016 (USA)  »

Also Known As:

Alice in Wonderland 2  »

Box Office

Budget:

$170,000,000 (estimated)

Opening Weekend:

$28,112,000 (USA) (27 May 2016)

Gross:

$77,037,635 (USA) (26 August 2016)
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Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

One of the seconds has the head of WALL·E (2008) another Disney film. See more »

Goofs

Early in the movie Alice directs her crew to heel to port. Visually, the ship heels to starboard. See more »

Quotes

[first lines]
Helmsman: Sir, shoals on every side. Sand or reef, I cannot say.
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Crazy Credits

A dedication to the late Alan Rickman appears right when the first part of the end credits finish. See more »


Soundtracks

Just Like Fire
Written by Pink (as P!nk), Max Martin, Shellback, and Oscar Holter
Produced by Max Martin, Shellback, and Oscar Holter
Mixed by Serban Ghenea
Performed by Pink (as P!nk)
Courtesy of RCA Records
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User Reviews

 
A Good Example of Hollywood's Failures
30 May 2016 | by See all my reviews

Before I shatter this film, I would like to say that I do respect the filmmakers of Hollywood (somewhat). They are creative geniuses that have transcended the art of filmmaking time and time again. They have continuously pushed the boundaries, especially when it comes to bringing astounding visual effects to the big screen.

However, the art of storytelling has become lost on them. This is primarily because conglomerates have bought out the studios. A movie is merely a commodity to the shareholders. The question they pose themselves before financing a movie is this: Do we already have a built in audience for this story? If there isn't already a built in audience, good luck getting the film financed.

With that being said, it is clear that storytelling is the last priority of Hollywood. Through the Looking Glass is a prime example of this. No matter how many groundbreaking visual effects they throw on the screen, the plot stinks. There was no suspense. Very little irony. No interesting characters. No memorable scenes. No compelling conflict and dynamics between the characters. The entire premise of the film was based on Alice saving the Mad Hatter from his illness. Yet, I could really care less. The story reflects nothing about the human condition. It raises no intriguing questions. Not to mention that the plot itself is aimless and disjointed. It meanders along, zipping in different directions without a clear focus and purpose. One wonders how a script like this even gets greenlit.

Maybe this is what audiences have come to accept. Maybe it's our culture that is the problem. However, I won't lay down without making my voice heard. When the credits rolled, I personally booed the film. My girlfriend tried to get me to shut up.

Story is a metaphor for life. Compelling characters represent something about each of us. We relate to them on different levels. We witness the actions they take, and say "Ah, I would've done the same." or "Wow. I would've never done that, but I can understand why they did it." The problem with fantasy films like this is that they are so far disconnected from reality that they literally represent nothing.

So I shall pose a challenge to those reading this review who have seen or intend to see this film: watch Alice, then watch a movie like Birdman, The Social Network, Nightcrawler, Fury, or a TV series like Breaking Bad, then compare the two. I guarantee that you'll find yourself much more emotionally fulfilled upon watching one of the films I mentioned. Not all superhero/fantasy films are trash. But Through the Looking Glass was an egregious example of all special effects, but a junk plot.


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