The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Actor Riggan Thomson is most famous for his movie role from over twenty years ago of the comic book superhero Birdman in the blockbuster movie of the same name and its two equally popular sequels. His association with the role took over his life, where Birdman is more renowned than "Riggan Thomson" the actor. Now past middle age, Riggan is trying to establish himself as a true artist by writing, directing, starring in and co-producing with his best friend Jake what is his Broadway debut, an adaptation of Raymond Carver's story, What We Talk About When We Talk About Love. He is staking his name, what little artistic reputation that comes with that name and his life savings on the project, and as such will do anything needed to make the play a success. As he and Jake go through the process of the previews toward opening night, Riggan runs into several issues: needing to find a replacement for the integral supporting male role the night before the first preview; hiring the talented ... Written by
In the original script, during their confrontation in The Rum House, Tabitha brings home her point - that Riggan is "a celebrity, not an actor" - by casually requesting some William Shakespeare from a waiter named Eddie, who then performs a brilliant rendition of the monologue from act V of Macbeth on the spot. In the finished film a madman in the street bellows out the monologue, then asks Riggan if it was over the top. See more »
It is twice stated that the St. James Theatre seats 800 people. In actuality, its capacity is approximately 1,700. See more »
How did we end up here? This place is horrible. Smells like balls. We don't belong here.
See more »
Life Imitating Art or Art Imitating Life Can Anyone Tell the Difference? Does It Really Matter?
............................................................from Pasto,Colombia...Via: L.A. CA., CALI, COLOMBIA and ORLANDO, FL
BIRDMAN just keeps coming at you, time and again, from every imaginable angle, until the end credits, about an hour and 50 minutes in. Is it just me . or are many reviewers reluctant to state the obvious? Michael Keaton as a down on his luck Ex-Superhero, desperately trying to prove his relevance in 2015, to the entire world, to his rather distant family, but, probably most of all, to himself. Oh yeah, and he talks to himself in a rather smooth, but hoarse and gravelly BATMAN I mean BIRDMAN, Superhero voice, his last on screen portrayal of which was in 1992! (Yes, in BOTH of them)
So, just where do we draw the line as to what is fact and what is fiction? That is one of many recurring themes dealt with in BIRDMAN. I think it is the central one in the film .Just where and when do we draw those critical dividing lines? Riggan Thompson is feeling the rapidly escalating pressure of a quickly approaching Broadway opening. It is a dilemma of his own device. His life is in shambles. He finds himself still pining for his ex, while attempting, rather ineptly and intermittently, to bond with his daughter. He has taken on overpowering debt to finance his Broadway play that, if successful, will provide him with the self-vindication he needs to put his life and career back on track. His problems seem insurmountable, or at least, he has convinced himself that they are!
The ensemble cast performance is deliciously superb. Zach Galifianakis as the steadfastly single-minded lawyer/best friend, who has to employ his myriad of abilities to hold the production together and keep it moving forward. Emma Stone, as Sam, the more often than not neglected as a child daughter, just out of Rehab, who seems to be on the road to stability in her life by serving as the reluctant gofer for her neophyte Broadway director/producer father. Naomi Watts, as Lesley, one of the play's stars, perhaps the star struck little girl trapped in the 30 something body of a struggling actor who is on the verge of her lifelong Broadway wish- fulfillment debut!
Edward Norton delivers an Oscar-caliber performance as the obsessed Method actor who's only real moments are the ones he spends on stage. And of course, Michael Keaton, in the title role, projecting a gigantic on screen presence as a man possessed, obsessed, intensely flawed, human and, ultimately, somewhat skewed by his own inner demons! Makes you wonder Exactly where does Michael Keaton end and Riggan Thompson begin?
I would be derelict in my reviewer duties were I not to mention the effective and original use of the continuous, one-take technique employed in making BIRDMAN It lends an extreme presence, intensity and intimacy to the overall quality and tone of the film which is quite unique. I'm sure the implementation of this style presented director Alejandro González Iñárritu with a formidable series of challenges, which he dealt with flawlessly. Gonzalez has directed some previously highly recognized films, such as Amorres Perros, 21 Grams, Babel and Biutiful. This highly thought provoking film guarantees that we will be seeing more of his work in the future.
10 Stars... ENJOY!/DISFRUTELA!
Any comments, questions or observations, in English or Español, are most welcome!.....KissEnglishPasto@Yahoo.com
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