Dave Skylark and his producer Aaron Rapoport run the celebrity tabloid show "Skylark Tonight". When they land an interview with a surprise fan, North Korean dictator Kim Jong-un, they are recruited by the CIA to turn their trip to Pyongyang into an assassination mission.
Two struggling pals dress as police officers for a costume party and become neighborhood sensations. But when these newly-minted "heroes" get tangled in a real life web of mobsters and dirty detectives, they must put their fake badges on the line.
Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
Set in 1882 in the American west, Albert is a lowly farmer with a nice girlfriend. But when she leaves him for the more successful and handsome owner of a moustachery store, Albert returns to his lonely daily life of trying to avoid death. Then the mysterious Anna rides into town and captures Albert's interest and heart, but with her deadly husband in town, Albert is going to have to become the western gun-slinging hero he never was. It won't be easy because there are a million ways to die in the west. Written by
Halfway through the film, when Albert and Anna are sitting on a log talking, a tornado appears to their right. It's a subtle reference to the film's title, something else that could kill you in the West. See more »
Just as Doc Brown covers the DeLorean, we can see that there is no "Mr. Fusion" unit on the rear of the time machine. See more »
Some people are born into the wrong time and place. This was the American frontier in 1882, a hard land for hard folk. Food was scarce, disease was rampant, and life was a daily struggle for survival. Hell, this was Miss America in 1880.
[picture of a leathery middle-aged woman]
Holy shit. To build a home and a life in this harsh, unforgiving country required that a man be bold, fearless, and tough as iron. The men who were courageous and resilient were the men who prospered. But ...
[...] See more »
There is a post-credits sequence involving the gunman at the fair from the final scene. See more »
Yeah, yeah; it's getting lacklustre reviews, and I half understand why.
It's not a timeless piece of comedy, but it's got spunk, wonderful production values, inspired comedic acting (even the 'bit' roles), and it has well-turned moments of stunningly genuine romance. Of note: If other comedy films are "better", why did I find more good ol', down-home belly laughs in this one? I think I know why: Sure, MacFarlane can play it blue and scatological, but he also values that other timeless comedic tradition; that which is Truly Funny Because It Is True.
Special Mention for Sarah Silverman. I think she struggles to reach out and touch with her unique and beautiful style, and goes largely unappreciated. MacFarlane gave her a great vehicle, and she lived up to it with the kind of aplomb and vivacity that I've certainly come to expect from her. I sincerely hope moviegoers will recognize this and watch her career with heightened expectations.
One thing I thought a bit odd: The Onion reviewer's main critique was that MacFarlane was "recycling" gags. I was half-expecting to find a tiresome rehashing of a few gags. I started watching, and found it engaging and surprising.
Anyway, it sorta looks like the horse is out of the barn. The flick did sh1t at the box office, and it'll go to DVD and maybe recoup its outlays. Too bad! It deserves better.
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