Brothers Samuel and Beckett Emerson are barely scraping by. Their father, Warren, continues to gamble and drink away any money they bring home. With all the havoc that is constantly going ... See full summary »
Colleagues Les and Natalie are delayed in the Albuquerque airport. Restless, irritated, and unable to stand the service workers he meets at every turn, Les heads downtown. Natalie refuses ... See full summary »
It's All Hallow's Eve. A trio of costumed misfits with very special dietary requirements seizes a Mexican cantina and force the staff to engage in a late night of gaming, food and libations. The only caveat is what's on the menu.
When Larry is on the elevator to the union meeting he says "Surely you can't be serious and when Julie Hagerty responds he replies "but should I stop calling you Shirley?". This is a reference to Airplane (1980) in which Julie Hagerty also stars as a flight attendant. See more »
When Larry is performing the safety demo, he holds up a replacement seat belt (as evidenced by the hook attachments on either end) rather than a demo belt (which has a buckle on one end and a metal tab on the other). See more »
After the credits, there is a scene with the editing director who just finished reading the book See more »
Larry Gaye brings just enough hilarity to not crash entirely.
This is the story of highly self-absorbed flight attendant Larry Gaye, a name which is certainly designed for obvious word pun. Most of the comedies are crude uncomfortably sexual innuendo in shameless fashion, the vain larger than life persona doesn't really take off in this regard. The exhausting tired jokes aside, it does deliver several good moments with witty awareness and fourth wall breaking quips, the few nods to Airplane! are also nicely done.
There's not much plot to be had. Larry Gaye is made from bits of choppy drama and aviator humor, both of which present barely adequate material in sporadic manner. The way it presents its humor is relentless, so if one particular scene doesn't work, the excessive effort is wasted and the film can be tedious. Unfortunately, this involves repetitive sensual undertone and the Gaye jokes can be tiresome after a few jabs.
It is when its best when Larry self-deprecates himself in mainly clueless manner or the film mocks on its own silly plot with an ironic seriousness. The tongue in cheek approach works with the help of the diverse actors who are experienced in the genre. Several scenes at latter half fare better as it deal with relatable and light banters instead on forcing the flamboyant aspect too much.
There are a few good chuckles underneath the turbulence of painfully narcissistic jokes and nasty sexual innuendos for a light popcorn flick.
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