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The Concubine (2012) More at IMDbPro »Hoo-goong: Je-wang-eui cheob (original title)

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Overview

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6.2/10   470 votes »
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Popularity: ?
Down 24% in popularity this week. See why on IMDbPro.
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Release Date:
6 June 2012 (South Korea) See more »
Genre:
Plot:
To escape a life of poverty, Hwa-yeon is forced to offer herself as one of the king's concubines. Once inside the royal palace... See more » | Add synopsis »
Awards:
1 nomination See more »
User Reviews:
This is not an erotic film See more (3 total) »

Cast

  (in credits order)

Yeo-jeong Jo ... Hwa-Yeon (as Yeo-Jeong Jo)
Dong-wook Kim ... Prince / King Sungwon

Min-jun Kim ... Kwon-Yoo
Ji-Young Park ... King's mother
rest of cast listed alphabetically:
Eun-ji Jo ... Geum-Ok

Directed by
Dae-seung Kim 
 
Writing credits
(in alphabetical order)
Yoon-Jung Hwang 
Dae-seung Kim 
Mi-jung Kim 

Produced by
Yoon-jeong Hwang .... producer
Sung-il Park .... producer
Kwang-ik Son .... executive producer
 
Original Music by
Yeong-wook Jo 
 
Cinematography by
Ki S. Hwang  (as Ki-seok Hwang)
 
Film Editing by
Jae-beom Kim 
Sang-beom Kim 
 
Production Design by
Geun-hyeon Jo  (as Geun-hyun Cho)
 
Costume Design by
Sang-gyeong Jo 
 
Makeup Department
Hee Eun Lee .... special makeup effects artist
 
Sound Department
Tae-kyu Lee .... sound
 
Camera and Electrical Department
Dae-hee Gang .... lighting technician
 

Production CompaniesDistributors

Additional Details

Also Known As:
"Hoo-goong: Je-wang-eui cheob" - South Korea (original title)
See more »
Runtime:
South Korea:122 min
Country:
Language:
Color:
Color (Fujicolor)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:

FAQ

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11 out of 12 people found the following review useful.
This is not an erotic film, 23 October 2013
Author: samsblood from United States

The previous reviewer dwelled on the penis thing and the erotic aspect of this film, but I think he, along with many others, missed the point. It's partly the fault of the advertising campaign, which I understand emphasized Jo YeoJung's (as well as other actors') nude scenes -- but I don't know how anyone can still retain the impression that this movie is an erotic bodice-ripper after actually watching it. This is a dark, perilous journey through the obsessions and grudges of people who cannot stop running lest they fall behind, and the sweat is all of the cold kind.

The said scenes involving nudity and sexuality are not in the least erotic, nor did I find Kim DongWook's reaction to the coitus-by-the-book(literally) as the hapless young king at all comedic, intentionally or otherwise; rather he did a fine job of assaying a pathetic and desperate character trapped in an intolerable situation, and his mental near-collapse was almost palpable. And the supporting characters' stories did not interfere with the unfolding of the main plot for me -- they were not subplots so much as back stories for the characters' motivations, and served to flesh out, not complicate, the plot.

Aside from the mostly fine direction and the acting -- which latter ranged from decent (in a few cases) to very good (mostly) -- for me the art direction and cinematography were particular standouts. While most historical epics tend to emphasize sumptuous costumes and the splendor of the architecture and ornamentation, this movie did the opposite; while it is visually rich in its own, gloom-laden way, everything in it is in dark, muted colors as if it were dyed with tea, the ladies wear little jewelry and the sets are kept very lean, to sometimes very striking, almost expressionistic, effect, as when HwaYeon's maid is assigned new, better quarters of her own after catching the King's eye, but the room is entirely empty, and the woman is shown laughing in semi-hysterical self-congratulation on a tiny mat on an otherwise bare floor.

There are many, many scenes shot at very close range, often lit by simulated candlelight at night, creating an overall claustrophobic feel that visually replicates the suffocating atmosphere of the intrigue-riddled court these people endured. Fittingly, the scenes of violence are presented suddenly and starkly, with minimal cues in the soundtrack, which makes them all the more shocking yet realistic.

While not exactly a masterpiece, this movie is a well-thought out and well-executed production, much superior to the kind of titillating fluff it is made out to be by some. It definitely deserves a thoughtful watch.

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