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A courageous film that brings the truth of America's war crimes to our
movie screens. Pregnant women murdered in Afghanistan shot to death by
US special forces in their own home. Innocent villagers in Yemen blown
to pieces by US cluster bombs. Somali warlords paid by the United
States government to kill foreigners. Meanwhile, young Americans
celebrate outside the White House after the President announces that a
man has been in his own home.
It would be hard for anyone to watch this movie with dry eyes, but how can an American sleep at night after seeing the murders our tax dollars are funding and elected officials are ordering? Hopefully this movie will spark a national outrage against America's crimes against humanity and bring America's military aggression to an end once and for all.
"Yet we seemingly tolerate a rising level of violence that ignores our
common humanity and our claims to civilization alike. We calmly accept
newspaper reports of civilian slaughter in far-off lands." Robert F
Although it seems America may be pulling out of Afghanistan next year, Special Operations units have been steadily and secretly increasing their deployments around the rest of the world in places like Yemen and Somalia. These "pinpoint" operations merely obfuscate the military's footprint and are thus a PR coup for the DOD but a disaster for public accountability. Consequently, today's wars are being fought in our name in foreign lands completely under the public radar. In light of recent revelations regarding the government's massive domestic surveillance program and the DOJ's record amount of prosecutions against whistleblowers, one might reasonably argue that this is the least transparent administration in our nation's history. The Obama administration's attempts to sanitize war by shrouding it behind a cloak of government secrecy ultimately serve to keep American citizens in the dark about what is really going on. War is by nature dirty, however, and it is the very knowledge that war comes with huge costs and sacrifices that acts as a check on our aggressive impulses. By bringing the hidden truths about these military night raids and drone strikes into the light, "Dirty Wars" makes a compelling argument about why you should care that we have been a nation at perpetual war since 9/11.
Originally, the film was supposed to focus solely on the story of the buildup of JSOC itself, but the filmmakers made a good decision to expand the scope of the documentary to include more about the man who helped to expose the story. Jeremy Scahill, a sedulous investigative reporter for The Intercept, is an interesting figure who stands apart in today's age of feckless news media and the increasingly moribund state of investigative journalism.
After watching the film, I thought of the late Roger Ebert's film review of a 2003 film about another intrepid investigative journalist, Veronica Guerin, who died while exposing a powerful syndicate of drug dealers in Dublin. In his review of the film, Roger Ebert wrote rather disapprovingly, "Disturbed by the sight of gangs selling drugs to children and teenagers in the Dublin of the 1990s, she began a high-profile, even reckless campaign to expose them. Was she surprised when her campaign ended with her own murder? She must have been, or she would have gone about it differently. That she struck a great blow against the Irish drug traffic is without doubt, but perhaps she could have done so and still survived to raise her son."
I don't know how Ebert would have felt about Scahill, but there is a chilling scene in the movie where Jay Leno asks Scahill with surprising bluntness, "How are you still alive?" That we need people like Guerin and Scahill today is without question. But that our appreciation for their work is also balanced out of concern for their well-being is an even sadder reflection of the type of dangerous world we live in.
The most powerful aspect of the film is the way it humanizes the victims of American violence by giving us faces, names, and stories to connect with the dead. The term "collateral damage" is a military euphemism for civilian casualties. In the newspapers that report on these Special Operations night raids and drone strikes, which have been happening with increasing frequency the last few years, we are only told the number of dead. Even worse, we are told that all military age males who are killed in drone strikes, whether they were intended targets or not, are automatically categorized as militants. In a particularly lame performance of spin doctoring, a DoD spokesperson rationalizes the deaths of pregnant women and children by reassuring us that they COULD have been militants.
To those who respond, "Well this is war. This is what happens in war," the film poses an important question: What is the ultimate end goal of all this bloodshed? What have we accomplished in our last 10+ years at war if it has only engendered more enemies around the globe. In the film, it would be comic if it weren't so tragic when a former intelligence officer states that what started out as a kill list of 50 names at the beginning of the war has now grown several thousands long.
The film succeeds in presenting complex issues without moralizing, and finds the right balance between veracity and entertainment. The movie does seem to stretch and play up material sometimes for unnecessary film noir-ish effect. The changing nature of warfare is a compelling story even without the stylistic frills. But the film's greatest achievement is how it raises important questions about who we are and where we are headed as a nation.
The documentary covers the story of Jeremy Scahill's discovery of a
secret war, without bounds, which the US government has been waging in
the name of fighting terrorism.
We see Scahill travel the world interviewing families in Iraq, Jordan, Yemin and Samalia who have had family members killed when they were declared to be suspected terrorists.
I left the theatre feeling that it is one of the best documentaries I have ever seen.
I was lucky enough to catch a screening of this at the Seattle International Film Festival, where Scahill did a Q+A afterwards. He was extremely eloquent answering every question.
*** This review may contain spoilers ***
I watched this film at home yesterday. It opened my eyes and broke my heart. I didn't realize the United States of America has hired War Lords in Somalia, on our pay roll. I didn't realize the raids and mass killings in other countries where we are not currently at war with. I didn't realize we killed an innocent young teen just because he might grow up to be a threat (wtf). This film opened my eyes and I haven't been able to get it off my brain since watching it. I don't understand how the USA is getting away with committing crimes against humanity. This kill list they have keeps growing and at anytime your name could be put on it. It keeps growing and growing and there is no end in sight. Watch the film, have a your friends and family watch this film. Everybody needs to watch!
Finally someone brave enough to uncover US war crimes against innocent people. Jeremy Scahill and his team did a great job for humanity despite facing a lot of difficulties. i believe every one who has heart and some humanity left in him/her will be influenced by the movie and try to understand what US and other governments around the world are killing and torturing innocent civilians specially Muslims and covering up their crimes by just using a disguise instrument of terrorism and national security concerns. Those so called patriots denying that their government could do such a thing should consider themselves in the condition of victims who are killed every single night by US. There should be global moment to make US, NATO and puppet government held responsible for what they are doing.
First off - this is not "fiction". I don't know where IMDb picked it
up, but as far as what i've read about this documentary - it is all
real. If you want to watch this documentary, make sure you open your
minds just a little bit.
People across the world shouted cheers when G Bush said "We're going to fight Iraq because there are WMD there". All the big reporters and media outlets shouted in chorus - Yeah, let's bomb Iraq! A lot of American soldiers died there. A lot of Iraqi people died in that assault. There were sons, husbands and friends. For nothing. There were no WMD there. And the country is in a worse state than what it was during Saddam's rule. Is this the "freedom" that we gave people of Iraq?
Did bush issue an apology? To the hundreds of innocent people killed in Iraq? To the families of American soldiers who died? Why didn't this "freedom and justice loving country" raise it's voice?
Take a look at this documentary. It's NOT fiction. Then, sit down and think about it. Is it really possible? Most of you will want to think twice before being able to say to yourself - no.
*** This review may contain spoilers ***
I always had a feeling that the major media's version and the political
affirmation is a bit one-sided, but never did I have a clue about
what's really going on. I've also listened to what Naomi Watts had to
say and the parallels are obvious - the world is shoving the control of
grand processes in the hands of a bunch of elite, who are being
represented by the White House, USA. I always knew that my brief
passage through an American prism of beliefs in a high school in FL was
truthful in it's lesson for me that the belief that "America is the
best country in the world" will lead those young naive minds into
nowhere. I'm not an American and I have no *need* to participate in
"writing to your congressmen" or any similar actions (you Americans
should), though I suspect that sooner or later Europe will wake up and
what then? Will the civilized portion of the world be able to suppress
the ambitions of megalomaniacs and shrink them down to due process?
Do we really want to see our reality as a failed civilization?
Investigative journalist Jeremy Scahill is pulled into an unexpected
journey as he chases down the hidden truth behind America's expanding
Regarding Scahill, I may be a little biased. His work with exposing Blackwater impressed me, I was able to briefly meet him and found him a charming person, and he happens to be from Milwaukee. As a fellow Wisconsinite, I cannot help but root for the guy.
Here, he investigates the United States military and government cover-up of the deaths of five civilians, including two pregnant women killed by US soldiers from the Joint Special Operations Command. Interestingly, he focuses on this one case when this is probably not an uncommon thing (what we call collateral damage). This puts a human face on the dead rather just make them one of a multitude.
We see the refusal of Congress to listen, particularly Representative Jim Sensenbrenner (another Wisconsin native). Why does no one care about what our forces do overseas? Also interesting, we see that there appears to be a coordinated effort for the harassing of journalists, both American and in the Middle East. Scahill himself was apparently hacked and threatened, and another journalist is shown imprisoned for speaking out.
Trevor Johnston of Time Out London found the film to be a "gripping investigative doc, which plays out like a classic conspiracy thriller as it follows a trail of clues to the heart of darkness behind President Obama's good-guy facade." I think this is fairly spot on, though to use a phrase like "heart of darkness" or to single out Obama seems off. The real message is here is not that this happens, but that it is standard operating procedure regardless of who is in power.
One of the negative reviewers, Douglas Valentine of Dissident Voice, complained that "the film is so devoid of historical context, and so contrived, as to render it a work of art, rather than political commentary. And as art, it is pure self-indulgence." The second point I wholeheartedly disagree with. While of a higher quality than the average documentary, that should not be a strike against it. The first point is quite valid -- those who do not have a solid background regarding the war on terror may not understand the situations presented. As the film is short (roughly 90 minutes), a few minutes of context would not have bogged it down.
Although not expressed by either of these two gentlemen, I expect the biggest criticism would come from those who want to label Scahill an America-hating liberal for his negative outlook on our military. That is a fair criticism, and I do not know what his motivations are. But to not question power -- especially the powers that we pay for and are subject too -- is to blindly accept it.
None other than former president Teddy Roosevelt said, "To announce that there must be no criticism of the president and to stand by the President, right or wrong, is not only unpatriotic and servile, but is morally treasonous to the American public." Well said, and it is people like Scahill who prove the value of this criticism.
Written by David Riker and celebrated investigative journalist Jeremy
Scahill, the film follows Scahill as he unpeals the layers of the Joint
Special Operations Command, the powerful covert military outfit that
answers directlyand onlyto the president, and whose maneuvers in the
Middle East have left more civilians dead than we can know.
The film shows the complicity of both the U.S. government and media in covering up massacres and smearing journalists who do more than phone in PR-spun news.
It's compelling journalism and a fascinating story with which all Americans should familiarize themselves especially as drones and airstrikes occur with greater frequency and spread to countries such as Somalia, Yemen, and beyond.
Skip at your own risk.
Add "Dirty Wars" to the list of movies that make me depressed to be an
Investigative reporter Jeremy Scahill plunges into the shadowy world of American strategic ops initiatives around the world, and the results, while not exactly surprising, are certainly chilling. What he finds are instances of American forces randomly going into obscure parts of the world and carrying out attacks that are as likely to kill innocent women and children as they are any people actively trying to do America any harm. At the center of these operations is a mysterious military unit about which virtually nothing used to be known, until this same unit carried out the assassination of Osama Bin Laden and elevated itself to hero status in the eyes of the American people.
Movies like "Dirty Wars" seem like a necessary evil to me. They bring to light topics that need to be addressed, but at the same time leave me impotently frustrated at my inability to do anything about it.
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