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Release Date:
22 July 2013 (Finland) See more »
For 40 years Bruce Springsteen has influenced fans from all over. His songs defined more than a generation. This film gives the fans just as much time as The Boss himself, with never shown footage and live performances from his last tour. | Add synopsis »
User Reviews:
Rocky start but powerful and fun See more (17 total) »



Bruce Springsteen ... Himself

Mitchell A. S. Hallock ... Himself
Koichi Murakami ... Himself (uncredited)

Directed by
Baillie Walsh 
Produced by
Jack Arbuthnott .... executive producer
Alfred Chubb .... executive producer
Svana Gisla .... producer
Jacob Swan Hyam .... co-producer
Liza Marshall .... executive producer
Ridley Scott .... executive producer
Cinematography by
Marco Tomaselli (director of photography) (segment "Vania")
Film Editing by
Ben Harrex 
Sound Department
Dafydd Archard .... sound re-recording mixer
Luke O'Connell .... sound designer
Visual Effects by
Rob Ellis .... flame artist
Richard Harris .... on-line editor
Editorial Department
Samantha Brockhausen Herrmann .... first assistant editor
Other crew
Sara Garcia Andersson .... head researcher
Matt Curtis .... Titles Designer
Paola Desiderio .... researcher
Carlo Dusi .... head of business and commercial affairs
James Fox .... insurance broker
Rahela Jagric .... researcher

Production CompaniesDistributorsOther Companies

Additional Details

124 min


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1 out of 1 people found the following review useful.
Rocky start but powerful and fun, 31 July 2013
Author: jillblackstone26 from United States

Yes I'm from NJ but no I was not a Springsteen fan until a friend dragged me to a concert at the Boston Garden during winter finals my first year of college. And that night was life- changing. I've seen him maybe 75 times since then, but never overseas. Only one show failed to amaze. I also have a life, I like other things, and I know that Bruce Springsteen like any other public figure is still just a guy. I don't think he's a god, or my God. But there is nothing like a Springsteen concert. It is transforming.

So I was really looking forward to this documentary. The first 20-30 minutes were excruciating and all I could think was, wait it out because it's cool to see London Calling on a huge screen. The shaky cell phone videos were headache and nausea inducing and I kept thinking, where was Ridley Scott when they were putting this together?

Then it got really good. I LOOOOOVED the couple where the guy doesn't like the music, he got funnier every time he opened his mouth. I loved the woman in Copenhagen. She was very real, she seemed like someone I'd like to know. And that's kind of the point of this film, I think -- how strangers can share an experience through music or art or any common interest. The guy who works at the stadium was really compelling. So articulate. When he said he was walking home after a concert and his girlfriend said, "At a certain point I felt like I was the only one there, that he was talking and singing directly to me," THAT is the magic of a Springsteen concert and his unique talent. The guy in Poland was profound, even though he said very little.

On the other hand, some of the people made me sad in their extremism.

Bruce himself wasn't really important to this film. It was nice that he met the people at the end but it didn't make or break the experience for me.

Overall it was like a really really good Kickstarter project on steroids. Clever, interesting, thought-provoking, very funny. And there's still magic in all the memories of all those Jersey summer nights caring only about the music for the moment.

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