The interwoven stories of three couples which are forced to make life altering decisions in the face of a disastrous war. Inspired and sometimes blinded by their love, Len, Mia, Andy, Esther, Anna and Erik are as flawed and beautiful as any of the billions who are facing this human-made biological disaster. Written by
So sad, that this movie has not hit the theater screens and has only been released as a DVD/Blu-Ray disc.
So sad, that too many Hollywood consumers have lost their souls to big money sci-fi flicks. Remember sci-fi movies by Andrei Tarkovsky. There was a time when cinema was not all about special effects, but poetry, realism, and surrealism.
This movie is wonderful and dreadful at the same time. If you care for real cinema, go watch it now. The acting is excellent. The dialogues are outstandingly smart. There is no reason why you would deprive you from watching it. It's a billion times better than 1995's Outbreak.
For a first movie of his own, Brian Horiuchi is signing a masterpiece that so many people will not see, because it's a true UFO in the Hollywood jungle.
"They are unripe and only fit for green boys." says Jean de La Fontaine in 'The Fox and the Grapes' fable, quoting a stupid fox unable to reach his meal, only capable of complaining and moaning.
Like Threads, the 1984 BAFTA award-winning BBC television drama, Parts Per Billion provides a highly depressing experience. Though, Horiuchi makes it a bit less straightforward, less graphic, and chooses to focus more on the relationships between human beings, like in Melancholia (2011). Only, these beings are less sophisticated than in Lars Von Trier's movie. Though they are chosen ones, they look like simple and common individuals with valid, simple thoughts, but also so living, so unique, and so exceptional beings.
The characters do express genuine sincerity like in François Truffaut and Wim Wenders' movies. They sound precise and exact. The only drawback is a shaking camera, the reason why I don't vote 10/10 but only 9/10. Such an intense drama would have benefited an adequate, more professional handling.
So, let's change the director of photography next time. And I hope it's not Brian Horiuchi's last movie despite a likely loss of cash. We need independent directors to remind us that intelligent cinema is still alive, and really enjoy their movies.
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