A documentary that celebrates Rick Hall, the founder of FAME Studios in Muscle Shoals, Alabama, and the signature sound he developed in songs such as "I'll Take You There", "Brown Sugar", and "When a Man Loves a Woman".
A celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
Ginger Baker looks back on his musical career with Cream and Blind Faith; his introduction to Fela Kuti; his self-destructive patterns and losses of fortune; and his current life inside a fortified South African compound.
Big Star: Nothing Can Hurt Me is a feature-length documentary film about the dismal commercial failure, subsequent massive critical acclaim, and enduring legacy of pop music's greatest cult phenomenon, Big Star.
Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we've had no idea who these singers are or what lives they lead, until now.
Located alongside the Tennessee River, Muscle Shoals, Alabama is the unlikely breeding ground for some of America's most creative and defiant music. Under the spiritual influence of the 'Singing River' as Native Americans called it, the music of Muscle Shoals changed the world and sold millions upon millions of copies. At its heart is Rick Hall who founded FAME Studios. Overcoming crushing poverty and staggering tragedies, he brought black and white together in Alabama's cauldron of racial hostility to create music for the generations while giving birth to the 'Muscle Shoals Sound' and 'The Swampers'. Mick Jagger, Keith Richards, Percy Sledge, Gregg Allman, Clarence Carter, Etta James, Alicia Keys, Bono, and others bear witness to Muscle Shoals' magnetism, mystery, and why it remains influential today. Written by
When Duane came here, he was on the Wilson Pickett session that we did.
There was always a slight problem when we would go out, all of us white boys with a black artist, that we'd get looks, okay? But there was nothing as bad as going out with a long-haired hippie with us white boys. They couldn't stand that, right? And so both of them stayed back.
So, they went on lunch break and my brother went up to Wilson and he said, uh, "Man, why don't you cut 'Hey Jude', you know, that Beatles song?"
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Although Steve Winwood is feature prominently, including with on-screen name identification, hie name is NOT listed in the end credits. See more »
I'd Rather Be An Old Man's Sweetheart (Than A Young Man's Fool)
Written by Clarence Carter (as Clarence George Carter), George Jackson (as George Henry Jackson) and Raymond Moore
Performed by Candi Staton
Courtesy of Capitol Records
Under license from EMI Film & Television Music See more »
Stumbled on this film on PBS last nite. Incredible. I had no idea that this place had such an influence on the music I grew up with. Seems like they produced the best music in the late 20th century, from Aretha and Rolling Stones all the way Bono and Alicia Keys.
Would be wonderful to visit that area of the U.S....except for the bugs. LOL. Just watching all those rivers, legs, ponds, all I could think of was mosquitoes. LOL. Anyway the story of Rick Halls is not to be missed. His horrendous background and "pulling up the bootstrap" life makes for a terrific story not counting his strict work ethic , "diversity embracing" and meticulous approach to music making.
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