After discovering his wife's infidelities, Gerry leaves London to look after his deceased brother's business and family in Singapore. Discovering a foreign world of opportunity that had not...
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Amy De Bhrún,
Sophia Del Pizzo
All Charlotte wants from life is to be cut a slice of the media agency she has devoted herself to building. When Charlotte's life disintegrates, we follow her on a heart-racing journey of self-discovery, atonement and danger.
After discovering his wife's infidelities, Gerry leaves London to look after his deceased brother's business and family in Singapore. Discovering a foreign world of opportunity that had not existed before gives Gerry a chance at starting over by slipping into his brother's life - both emotionally and physically. However, leaving his wife and child behind in the UK is not so easy as Gerry must choose between becoming his brother's alter ego 'Mister John' or returning to London to face his failing relationship. Written by
A dreamy and enigmatic character study about a man who flies to Singapore to wind up his dead brother's affair but finds himself coming adrift. Gerry (Gillen) is a man whose marriage is heading for the rocks and a visit to his dead brother's family and hostess bar in Singapore brings him into contact with a decadent, ex pat' world that starts to fit him too well.
The film plays somewhere between an Antonioni and the wonderful yet under-rated Peter Bogdanovitch film Saint Jack. The bar scenes while stylised feel truthful and affectionate, and the film has some powerful moments - a scene where a bar girl interview becomes a template for a disintegrating marriage is both original and uncomfortable to watch.
Gillen is cast against type and has really worked his way into the character who loses himself through the simple act of wearing a dead man's clothes and walking in his steps.
I notice one reviewer seems concerned with nudity in the film - there isn't any to speak of, so those seeking titillation look elsewhere.
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