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Title: 5 to 7 (2014)
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| Credited cast: | |||
| Bérénice Marlohe | ... | ||
| Olivia Thirlby | ... |
Jane
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| Anton Yelchin | ... | ||
| Eric Stoltz | ... |
Galassi
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| Glenn Close | ... | ||
| Frank Langella | ... | ||
| Lambert Wilson | ... |
Valery
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| Joseph D'Onofrio | ... |
Waiter
(as Joe D'Onofrio)
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| Dov Tiefenbach | ... |
Cashier
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| Jocelyn DeBoer | ... |
Kiva Bloom
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| Amina Robinson | ... |
Nanny
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| Kelly Hartnett | ... |
Arielle Look alike
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Julian Bond | ... |
Himself - Party Guest
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Heather Warren | ... |
Bookseller
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| David Remnick | ... |
Himself - New Yorker Editor
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In New York, an aspiring novelist has a cinq-a-sept affair with the beautiful wife of a French diplomat. Cultures, world views, personal ethics and dietary preferences clash as love deepens, with remarkable results. Romance, drama and comedy.
5 to 7 is a smart, endearing, and entertaining film, well interpreted and, while in the course of deftly playing off cultural stereotypes, resonantly manifesting significant character development.
The plot revolves around a romance with repercussions that demonstrate a significant gap between American and French social mores. That very gap becomes the stage for the film's comic zone, where the protagonist and his parents manifest the angst that generates its constant chuckles and a few really good belly-laughs.
The film fits squarely into the Uptown New York awkwardness-generates-witty-repartee pattern that has been so well established by Woody Allen and followed by Whit Stillman. Well crafted dialogue delivered convincingly.
Anton Yelchin turns in a compelling performance as the protagonist, Brian. He interprets a highly endearing character: sensitive, intelligent, thoughtful, driven and respectful. He and each of the principle characters display commendable characteristics that make them all highly likable.
Bérénice Marlohe glows with exuberant kindness and empathy. Lambert Wilson, expertly portraying that which Americans find both typical and impenetrable of the (particularly aristocratic) French, reveals therein universally-recognizable and enviable grace and integrity. The audience at the Miami Jewish Film Festival howled with laughter as Glenn Close and Frank Langella, playing Brian's parents, masterfully interpreted the Jewish martyr-mother and stubborn father, respectively.
Victor Levin's directorial sensitivity enticed each of these actors to interpret stereotypic portrayals in a loving manner, to great comic and dramatic effect. Levin walks the line perfectly without offense. The characters are not caricatures: they are quintessential and highly endearing and human incorporations of their representative communities.
As the plot unfolds, Brian becomes a study in character development. He learns, on all planes, the value of dedication, sacrifice, and a good underlying moral compass. The story is accessible and compelling. It speaks to serendipity and the extent to which life is a sum of our experiences, most markedly seen in relationships. I found a very resonant message that these relationships are best savored with sensitivity to their context and they always be remembered with sweetness. Ain't that the truth!