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Pokazatelnyy protsess: Istoriya Pussy Riot (2013)

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Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial in a case that has gripped the nation and the world ... See full summary »

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Andrey Tolokonnikov ...
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Natalia Alyokhina ...
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Stanislav Samutsevich ...
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Pyotr Verzilov ...
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Mark Feygin ...
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Nikolai Polozov ...
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Violetta Volkova ...
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Vladimir Mikhailovich Gundyayev ...
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Irina Khrunova ...
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Lev Lyapin ...
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Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial in a case that has gripped the nation and the world beyond, three young artists or the society they live in? Written by Anonymous

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5 July 2013 (UK)  »

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Pussy Riot  »

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Kill All Sexists
Written and Performed by Pussy Riot
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"Dense and concentrated..."
4 January 2015 | by (Norway) – See all my reviews

British producer and documentary filmmaker Mike Lerner and Russian producer and documentary filmmaker Maxim Pozdorovkin's documentary feature which they produced, premiered in the World Cinema Documentary Competition section at the 29th Sundance Film Festival in 2013, was shot on locations in Russia and is a Russia-UK co-production. It tells the story about a Russian citizen in her twenties from a town called Norilsk, Russia named Nadezhda Andreevna Tolokonnikova who in the late 2000s joined a group called Voina with her husband named Pyotr Verzilov, a Russian citizen in her twenties from Moscow, Russia named Maria Vladimirovna Aliokhina whose favorite word as a child started with the letter U and consisted of five letters and a Russian citizen in her thirties from Moscow, Russia named Ykaterina Stanislavovna Samutsevich who became interested in something after reading French philosophers.

Distinctly and subtly directed by documentary filmmakers Mike Lerner and Maxim Pozdorovkin, this quietly paced documentary which is narrated from multiple viewpoints though mostly from the band members' point of view, draws an informative and humanistic portrayal of the front figures of a 21st century Punk rock protest band who made themselves known by conducting performances in public places like the Red Square without having asked for permission beforehand which is obligatory there, and whom after planning a new protest at the Russian parliament called State Duma and performing a protest against the union of state and church on the altar of a renowned cathedral in early 2012 aiming to take Christianity away from the official church and give it back to its origins was arrested, put on trial, convicted for hooliganism and relocated to expiate in penal colonies in Russia. While notable for its atmospheric milieu depictions and reverent cinematography by cinematographer Antony Butts, this narrative-driven story about a federal semi-presidential republic where the president is head of state and a generation who doesn't agree with the politics of the current regime and who practices oppositional art to voice their opinions, which through interviews with family members, attorneys, government officials, Russian citizens and Pussy Riot themselves describes a Russia where its people wishes to live in an ordinary country and which was made twenty-tree years after a German rock band sang the words: "The wind of change blows straight into the face of time …" contains a timely score by composer Simon Russell.

This somewhat biographical, historic and remarkable testimony of real events which is set mostly in Russia in the 21st century and where the ruling government passes amendments as they please whilst a group of distinguishable Russian daughters and mothers who are against some of their political policies and with musical instruments, lyrics and balaclavas expresses their views regarding their country of origin which they think is depriving them of their entitlement to influence its fate, creates humorous though far from publicly respectful or lawfully justifiable works of art which has heart, humor, audacity and social intellect beyond its appearance, is impelled and reinforced by its cogent narrative structure, rhythmic continuity, trial and archival footage, photographs and comment by Masha: "It lives in the word. It will go on living because of glasnost." A dense and concentrated documentary feature.


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