Documentary about deceased photojournalist Tim Hetherington directed by Sebastian Junger. Together with his friend and long-term collaborator Sebastian, Tim had travelled the world ... See full summary »
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An elite Combat Rescue team of the US Air Force, rescue wounded American or Allied forces in lethal danger. Pararescuemen, or PJs, return to the front lines of Afghanistan and East Europe ... See full summary »
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The Marines of Echo Company
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EYE ON THE SIXTIES is an intimate portrait of photographer Rowland Scherman, and the process of photojournalism. It is a valuable 'insider' piece of American History, documenting one man's ... See full summary »
As a photojournalist reporting worldwide on sociopolitical upheaval and conflict, I've never reported on what it feels like to be in Time Square one moment, to being shot at in Afghanistan ... See full summary »
Documentary about deceased photojournalist Tim Hetherington directed by Sebastian Junger. Together with his friend and long-term collaborator Sebastian, Tim had travelled the world documenting conflicts in Afghanistan, Liberia and Libya among other locations. Best known for their 2010 film 'Restrepo' which was nominated for an Academy Award, the two strived to capture the humanity within conflict situations and with their images they focused on the individuals involved and their experiences of the violence surrounding them. Unfortunately, in 2011 Tim was killed by a mortar blast and this film is a tribute and celebration of the legacy he has left behind and includes Sebastian conducting interviews with those who knew Tim best. Written by
The film was an expert insight into the 'life and time' of Tim Hetherington, created by good friend and collaborator Sebastian Junger. As well as giving invaluable information about arguably the most talented photo-journalist of his generation, the film shows Hetherington as who he was, not what he was. There was a beautiful quote from James Barabazon saying 'He was just Tim its very hard to find that'; and this is the key message of the film, Hetherington wasn't political or war orientated, he was a humanitarian trying to make the world a better place. Other photo-journalists capture what they see, Hetherington captures what the audience needs to see to bring humanity to the situation and try and make a change. Instead of being a traditional documentary, it felt like an adapted screenplay because of the emotional story, which if you knew nothing about Hetherington before, you would feel the world still needs his photographs to comment on the latest human tragedies. It feels as if he brings clarity to photography, his new ideas about sleeping soldiers and bravely breaking barriers seem so right, but they were very much is unique traits in the medium, and its such a sadness to loose such a brilliant personality as Hetherington. The film showed an unedited visual of the photo-journalist; Hetherington speaking how he felt about what he stood for, it didn't just show what he stood for, but who he was as well and how everyone felt the same way.
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