At the NFL Draft, general manager Sonny Weaver has the opportunity to rebuild his team when he trades for the number one pick. He must decide what he's willing to sacrifice on a life-changing day for a few hundred young men with NFL dreams.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
Jim White moves his family after losing his last job as a football coach. He sees that some of the students are worth starting a cross-country team and turns seven students with no hope into one of the best cross-country teams.
In the 1960s, Beach Boys leader Brian Wilson struggles with emerging psychosis as he attempts to craft his avant-garde pop masterpiece. In the 1980s, he is a broken, confused man under the 24-hour watch of shady therapist Dr. Eugene Landy.
Lucy has always used food to escape life's problems, but when this self-titled "fat friend" lures her group of old college buddies to the Montana wilderness, she reveals a new self - skinny, beautiful and still flawed.
On route to the stage, singer James Brown recalls a life with a turbulent childhood where music was his only constructive release for his passions. A chance demonstration of that in prison led to a new friend who helped get him out and into a musical career. With his fire and creative daring, Brown became a star who defiantly created new possibilities in show business both on and behind the stage in face of racism and conventional thinking. Along the way, James would also become a peacemaker who redefined and raised the African-American community's feeling of self-worth when it was needed most. However, those same domineering passions would lead James Brown alienating everyone around him as his appetites became ever more self-destructive. Only after he hit rock bottom with a serious mistake does Brown realize what he needs to do make his life as the Godfather of Soul truly worthwhile. Written by
Kenneth Chisholm (email@example.com)
At the beginning of 1965, Ben gives James a chauffeur-driven black 1967 Cadillac. See more »
My baby playing at the Apollo.
I ain't your baby, not then, not now. I look after James Brown. You want to know me, I'll tell you. My daddy in the army. My mamma left. No one else helped me. No one else.
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James Brown was a superstar. An artist well ahead of his time, who still tops the list of most sampled musicians to this day with music he made 40-50 years ago!! I mean you play "Sex machine" at any party and it still rocks a quiet audience.
The point of all this is, that when you are making a movie about such a great artist, a music icon, the movie should aim at being at least mildly good. But this movie was far from that. It's mediocre at best! I am not sure whether it is a personal thing, but there was something I just disliked about the actor who impersonates him and that didn't help. I just didn't feel the guy was James Brown. Ali was portrayed beautifully by Will Smith for instance and he made the character believable. But this guy, I don't know Plus, on several occasions he stopped to look at the camera to "speak to us". That was unnecessary, an absolute pain and a pace breaker. But the one thing that I disliked the most was the constant going back and forth in time. We start in the eighties, then we are in the sixties, then we find ourselves in the thirties, then the seventies again, back to the thirties. An absolute mess that went on throughout the movie. What was the point of all that?
In any case, I love James Brown, and to me his music is what really matters. I wasn't expecting a mind-blowing cinematographic experience, and it sure wasn't one. So, I guess I'll just go home and play some of his songs and that'll help erase the movie from my mind.
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