Donatella and Beatrice reside in a psychiatric facility in Tuscany. They have very different life stories, but a chance to escape brings them together in an adventure that will change their... See full summary »
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When her father, Giancarlo is transferred to Rome from the small country town of Montalto Di Castro, Caterina, a 12 years old girl, will discover her new classmates, a totally new world, an... See full summary »
A university researcher is fired because of the cuts to university. To earn a living he decides to produce drugs recruiting his former colleagues, who despite their skills are living at the margins of society.
Seven long-time friends get together for a dinner. When they decide to share with each other the content of every text message, email and phone call they receive, many secrets start to unveil and the equilibrium trembles.
Dino Ossola, a small-time real estate agent who dreams of bigger things ; Serena Ossola, his teenage daughter who dates a spoilt rich brat ; Carla Bruneschi, an actress who has given up her career to marry a wealthy businessman ; Massimiliano Giovanni Bernaschi, her husband, a powerful player ; Massimiliano Bernaschi, the troubled son of the Bernaschis' ; Roberta Ossola, a psychologist, Dino's second wife ; Donato Russomano, a brilliant drama teacher who is stuck on Carla ; Luca Ambrosini, a teenager frowned upon by others ; an anonymous cyclist... They are all shareholders of the human capital. Errr... all? Really? Written by
I went to see this movie mainly because it was shot in surroundings I know very well (the surroundings of Varese, in the north of Italy)and was more curious than interested. In the end, I had to say I saw a good movie, with a good photography but also a convincing story, based on an American novel, but fit for a movie which lies between a thriller and a social portrait, showing some evils of contemporary Italy. The splitting of the story into four chapters, seen from the point of view of three characters, plus a final chapter, may not be that original but works effectively and keeps the viewer's attention alive for almost two hours. So, considering the mediocrity of Italian contemporary cinematography, it is a good product and I also appreciated the performances of the whole cast, with Fabrizio Bentivoglio and Fabrizio Gifuni at their best. In my country the movie was criticized for pointing the finger at the north of Italy as the source of contemporary decadence: on the whole, besides its ideological orientation, I found it more entertaining than socially committed or politically sided.
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