Sanitarium

I had no idea this was an anthology, before I watched it, but it makes sense. It's also very obvious, after the first segment is over 30 minutes into the movie. Although I was wondering right before that end, where the "movie" was going to go ... the story of seemed over, so I was kind of intrigued. Turns out that particular story was over.

The segments themselves are pretty decent, with a lot of star power behind them (or at least actors some might recognize). Not sure if Lou Diamond Phillips is on anyones radar the past decade or so. It's nice seeing him and other faces though and they're doing a good job, which is needed to keep this from falling apart. Apart from the main location (it's in the title), you could make another connection between the segments ... it's a bit of a "conspiracy" so to speak, but if you connect the dots ...

Do not be fooled by the name Malcolm McDowell in the credits, as he is hardly even in this bore fest. His role is more of a Rod Serling of the Twilight Zone guide to each of the three episodes. None of them work very well, as they just drag on. First up is John Glover as an eccentric artist who makes morbid looking dolls and is considered a genius. He thinks the dolls are real and they give him messages about his sponsors. Of course, it ends badly. The second story concerns an eight year-old boy who sees a grim reaper type of figure following him around. He had an abusive father and a pretty and concerned teacher who tries to help. Another sad ending here. Number three is the worst as Lou Diamond Phillips is a college professor who is waiting for the end of the world as predicted by the Mayan calendar. It flashes back and forth between his underground bunker and what leads up to it. It just does not work on any level. Go back to A Clockwork Orange to watch McDowell at his nastiest best.

This isn't your average horror anthology by any regard and the unique way of this film's storytelling may put off many viewer's that are expecting a V/H/S or Tales From the Crypt type of film. Instead what we get is a look into the minds of three different mentally ill patients and the horror that is real to them in "their" world. Since there are three installments, I'll outline them individually, although there is one constant throughout the film and that is Malcolm McDowell as Dr.Stenson, who gives a bit of a narrative connecting one story to the next.

The first segment,"Figuratively Speaking" stars John Glover, who convincingly plays the fragile artist Gustav, whose connection to his creations(which pays a nice homage to the Puppet Master franchise) & some foul play by a trusted friend, lead to his ultimate downfall.

Segment two, "Monsters are real" involves a young boy named Steven(David Mazouz "Touch") who has the unfortunate case of Catatonic Schizophrenia. At the young age of eight his life crumbles around him as his visions of a beast like stalker begin to plague him. His teacher Ms. Lorne, played by the gorgeous Lacey Chabert, tries to render help to Steven when she suspects abuse from home. All of which leads to quite a mysterious conclusion, blurring the lines between imagination & reality.

The third segment, "Up to the Last Man" stars Lou Diamond Phillips as Professor James Silo, a husband & father who becomes deeply obsessed with ancient Mayan prophecies telling of an upcoming apocalypse. As his grip on reality fades he begins to design the mother of all bomb shelters and like in the second segment, insanity & reality become intertwined.

This is a film about perspective, it's purpose isn't to terrify or deliver buckets of blood, but to bring to light the views from inside the minds of these three random, but quite unique patients all remanded to the same asylum. It walks us through the horror's that the exist only in their minds, well, mostly only in their minds, as the viewer is left decide what in fact is real. The direction is executed perfectly in each story by directors Bryan Ortiz, Bryan Ramirez and Kerry Valderrama. Equally noteworthy was the score, giving each piece it's own specific atmosphere & identity. If this sounds interesting then by all means give it a go. It's no masterpiece, but it made for an original & intriguing watch.

OK, Malcolm McDowell is just here as a "name", he's merely the narrator. Moreover, his comments are not particularly welcome, particularly after the second scenario.

That aside, this is a very good horror movie, a trilogy of tales in classic fashion. The cast is fine, the photography is excellent, the soundtrack lush and properly climatic. It's as good as any other horror/macabre movie out there right now, certainly on a par with "The Purge" for example, but fewer than five votes here? Zero critical reviews on R/T or linked here? I don't understand that at all, my first instinct was that this must be some crapola indie film, and I'd expect maybe two 9 or 10 star reviews comparing it to the best of Hitchcock (by people who had never posted any other reviews until they were hired to work on the film). But it's not, it's a well made, mainstream film with real actors and professional craftsmanship. By all means check it out.

A rather enticing and dark glimpse into psychosis and the overwhelming grip it can have on controlling thoughts and actions, the result of which leaves the main characters in the Sanitarium. Each part demonstrates a variance in mental illness to portray the falling of the world around them due to their delusion, with dark conclusions.

At times the stories can come across as rather coy although this was generally answered toward the end of each story. The tempo across each story is predominately maintained to continue the dark edge but I was left somewhat disappointed by the lack of development of the stories; some aspects felt rushed.

However it was, to me anyway, an engaging watch. A film that isn't likely to blow many people away but can maintain viewing pleasure through emotion in relation to delicate revelations throughout.

65/100