70-year-old widower Ben Whittaker has discovered that retirement isn't all it's cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
Adam Jones (Bradley Cooper) is a chef who destroyed his career with drugs and diva behavior. He cleans up and returns to London, determined to redeem himself by spearheading a top restaurant that can gain three Michelin stars.
A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
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Joy has always been fascinated by creating things, This pursuit was always supported emotionally by her maternal grandmother, Mimi. Joy feels that lack of practical support has led to others making fortunes on ideas she came up with years ago but could not act upon manufacturing. Despite being broke, Joy is the person in her extended family to whom everyone has always turned, in the process forgoing her own life, including not having attended college to help see her parents through their divorce. She works in an unsatisfying job as an Eastern Airlines ticket clerk; and lives with her mother Terry who spends all day in bed watching soap operas; her ex-husband Tony, a less than successful aspiring Latino Tom Jones wannabe; and their two children. Added to this mix is her father Rudy, the owner of a failing heavy-duty garage, which is managed by Joy's older half-sister Peggy, with whom she has somewhat of a strained relationship, and for which Joy does the books. Sharon, Rudy's latest ... Written by
When Joy is getting ready at the QVC studios, Lori Greiner is getting her makeup done. She is considered the Queen of QVC. See more »
At the Dallas hotel, a Santander Bank is in the background. Santander started in the US in 2013, and its branches are in the northeast, not Texas. See more »
[TV soap opera scene]
It doesn't make sense, I don't understand how something like this happened. I don't know what I'm going to do. This has been my whole life, and now it's gone I don't know what I'm supposed to do. Pendleton Industries is all I've ever known, and now it's all been taken away.
When someone sees a weakness in me, I turn that weakness into a strength.
[holds up a gun]
Danica, you're so strong. I don't think I can do anything like this.
You can imagine changing your ...
[...] See more »
The 20th Century Fox fanfare abruptly cuts into the background music. See more »
The usually reliable David O. Russell lets down his fine cast of performers in his latest film, Joy, which doesn't quite live up to its title. Except for a strong performance from its lead, the delightful Jennifer Lawrence, the film remains a major disappointment.
The film is loosely based on the true story of inventor Joy Mangano, but the screenplay also written by its director is a mess that needs to clean up its act. The film swings wildly between comedy and drama but never stays long enough to be effective in either category. Joy, winningly played by Ms. Lawrence, is interesting and the actress brings some verve to her role, but all of the supporting characters around her are sketchy and never amount to much more than quirky curmudgeons whose actions are so over-the-top that they never resemble anything remotely believable.
The plot: Joy's life is in shambles (but then, so is the script). Living slightly above the poverty level and sharing her household with her dysfunctional divorced parents, Terry (Virginia Madsen), a reclusive soap opera addicted mother, and Rudy, a crotchety self-absorbed father (Robert De Niro) who takes up with a rich Italian widow named Trudy (Isabella Rossellini), Joy's ex-husband, Tony (Edgar Ramirez), who is trying to be a professional singer, Peggy (Elizabeth Rohm), her jealous stepsister, and Joy's two adorable children. Still her creative impulses compel her take action and change the direction her life is taking, which leads Joy to her long- time friend and adversary in business, Neil (Bradley Cooper), who gives her moral support on her latest venture.
However, none of these relationships build to any satisfactory conclusion due to the stilted writing and uneven tone of the film. The ending also seems pat and forced as it quickly tries to tie up its loose ends, be they cotton or synthetic.
With all of the talent involved, sadly, Joy is a joyless filmgoing experience.
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